The approximate dates of the Baroque period are: |
1600-1750. |
Which of the following does NOT characterize the Baroque era? |
an age of freedom and democracy |
John Milton’s Paradise Lost is an epic poem expressing the views of: |
Protestantism |
Which best describes how Baroque musicians made a living? |
as servants to royalty or nobility as members of the church as employees of a free city |
The Baroque period witnessed a new style of music, which featured a single vocal melody with accompaniment. This was known as: |
monody |
The introduction of monody in music represented a major shift in texture from: |
polyphonic to homophonic. |
The group of early Baroque writers, artists, and musicians whose aim was to resurrect the musical drama of ancient Greece was known as: |
the Florentine Camerata. |
The ideas and music of the Florentine Camerata led the way directly toward: |
the development of opera. |
Which two instruments would most likely have played the basso continuo in the Baroque era? |
cello and harpsichord |
The Baroque technique of placing numerals, indicating the harmony required, above or below the bass notes, is called: |
figured bass. |
The primary tonality used during the Baroque was: |
major-minor. |
A system of slightly adjusting the tuning of intervals within the octave, thus making it possible to play in every major and minor key, was called: |
equal temperament |
All of the following characterize Baroque musical style EXCEPT: |
harmonies built on the early church modes. |
Which best describes the relentless beat and regular accent of later Baroque music? |
vigorous rhythm |
The artificially created male soprano or alto who dominated opera was known as: |
the castrato. |
The Baroque performance practice where musicians embellished the melodies was called: |
improvisation. |
Women’s roles in Baroque music: |
expanded into professional performance careers including opera |
A drama that is sung is called: |
a madrigal. |
The vocal style in opera that imitates the natural inflections of speech is called: |
madrigal. |
It was through the musical innovations of the _____ that opera was born. |
Florentine Camerata |
A highly emotional song in an opera is called: |
an aria. |
The orchestral introduction heard at the beginning of an opera is called: |
an overture. |
The text of an opera is called: |
the libretto. |
Who is best viewed as the first master of opera? |
Monteverdi |
The earliest operas took their plots from: |
Greek mythology. |
The English type of entertainment combining music, poetry, and dance was called: |
masque. |
The greatest native English composer of the Baroque was: |
Henry Purcell. |
Purcell’s opera Dido and Aeneas was composed for: |
a girl’s school production. |
On which epic poem was Purcell’s opera Dido and Aeneas based? |
Virgil’s The Aeneid |
Dido’s Lament from Purcell’s opera Dido and Aenaes is composed: |
over a ground bass. |
The sacred cantata was an integral part of the: |
Lutheran church. |
The chorale is a type of hymn tune created by: |
Martin Luther. |
The chorale tune A Mighty Fortress Is Our God was: |
written by Martin Luther. |
The opening movement of Bach’s cantata A Mighty Fortress Is Our God is best described as: |
a chorale fugue. |
Which does NOT characterize an oratorio? |
elaborate scenery |
George Frideric Handel was considered a master of: |
the oratorio. |
Late in life, Handel turned his efforts from the opera to: |
the oratorio. |
Handel’s Messiah is: |
an oratorio. |
The famous choral climax in Part II of Handel’s Messiah is: |
"Hallelujah Chorus." |
The first era of Western music in which instrumental music was as important as vocal music was the: |
Baroque era. |
The Baroque era witnessed the appearance of the: |
solo concerto. concerto grosso. |
The instrumental form based on the contrast of two dissimilar masses of sound is called: |
the concerto. |
The solo concerto is: |
an instrumental work, usually in three movements, that features one performer supported by an accompanying group of instruments. |
Who was the greatest and most prolific Italian composer of concertos? |
Vivaldi |
Vivaldi lived and worked in: |
Venice. |
Which of the following is a well known set of concertos by Vivaldi? |
The Four Seasons |
The solo instrument in Spring from The Four Seasons is: |
the violin. |
The opening movement of Spring from The Four Seasons features _____ |
ritornello form. |
Who composed the Brandenburg Concertos? |
Bach |
Bach’s Brandenburg Concertos comprise _____ separate concertos. |
six |
The accompanying group in a concerto grosso is called: |
the ripieno. |
The solo group in a concerto grosso is called: |
the concertino |
Which of the following dance types was NOT standard in a Baroque suite? |
tarantella |
A gigue is best described as: |
a lively sextuple-meter dance. |
What is the form of the individual movements in a suite? |
binary |
Water Music by Handel is best described as a: |
suite. |
Handel’s Water Music opens with a: |
French overture. |
During his lifetime, Bach held the position of: |
-cantor of St. Thomas’s Church in Leipzig. -court organist and chamber musician to the duke of Weimar. -court musician to the prince of Anhalt-Cthen. |
Bach was most famous in his day as a performer on: |
the organ. |
In the field of keyboard music, Bach’s most important collection was: |
The Well Tempered Clavier. |
Which of the following is a set of forty eight preludes and fugues by Bach? |
The Well Tempered Clavier |
Which was NOT an important keyboard instrument in the Baroque? |
the piano |
A keyboard instrument in which the strings are plucked by quills is: |
the harpsichord. |
The harpsichord is different from the piano because: |
it usually has two keyboards, rather than one. its strings are plucked, rather than struck. it is not capable of a wide dynamic range. |
What is a toccata? |
an improvisatory, virtuosic keyboard work |
A chorale prelude: |
is a work for organ. introduces the chorale to be sung by the congregation. displays the virtuosity of the organist. |
The _____ is a keyboard form based on the principle of voices imitating each other. |
fugue |
What is the principal element of a fugue? |
counterpoint |
In a fugue, the areas of relaxation where the subject is not heard are called: |
episodes. |
After the fugue subject is stated, the second entrance of the subject is called the: |
answer. |
Of the following, which is NOT a contrapuntal device that alters the original theme? |
prelude |
In a fugue, the technique of stating the theme in faster rhythmic values is called: |
diminution. |
The opening section of a fugue, in which all voices introduce the subject successively, is called the: |
exposition. |
How many preludes and fugues are contained in the two Well Tempered Clavier volumes? |
48 |
Bach’s last demonstration of contrapuntal mastery was: |
The Art of Fugue. |
How many voices, or individual lines, are there in Bach’s Contrapunctus I from The Art of Fugue? |
four |
In which voice is the subject first heard in Contrapunctus I from The Art of Fugue? |
the second to top voice, or alto |
Amateur music making at home was popular during the Baroque era. T/F |
True |
The new Baroque style of vocal music for one singer with instrumental accompaniment was known as monophony. T/F |
False |
During the Baroque era, some boy singers were castrated to preserve the high register of their voices, allowing them to sing high pitched operatic roles. T/F |
True |
Handel wrote his oratorio Messiah over a period of four years. T/F |
False |
The "Hallelujah Chorus" is the climax of the Easter section of Messiah. T/F |
True |
The Baroque period was the first in which instrumental music was comparable in importance to vocal music. T/F |
True |
Baroque composers, like their Renaissance counterparts, generally did not specify instrumentation. T/F |
False |
Today, Baroque music is played exclusively on modern instruments. T/F |
False |
Antonio Vivaldi became known as "the red priest" because of his fanatical religious beliefs. T/F |
False |
Vivaldi lived in Venice, where he taught music at a girls’ school. T/F |
True |
Vivaldi’s solo concertos typically had four movements. T/F |
False |
Handel’s Water Music was performed without continuo instruments when played outdoors. T/F |
True |
The Hornpipe from Handel’s Water Music is in A-B-A form. T/F |
True |
Johann Sebastian Bach lived a short, unhappy life and had no children. T/F |
False |
During his lifetime, Johann Sebastian Bach was primarily known as a great organist. T/F |
True |
The three main keyboard instruments of the Baroque were the harpsichord, organ, and piano. T/F |
False |
The strings of a harpsichord are plucked by quills. T/F |
True |
The clavichord was a popular instrument for the home. T/F |
True |
The prelude originated in improvisation on keyboard instruments. T/F |
True |
Bach’s chorale prelude A Mighty Fortress Is Our God is based on a well known Lutheran chorale tune. T/F |
True |
A fugue is a form exclusively for solo keyboard performance. T/F |
False |
A fugue is a contrapuntal composition in which a single subject is the focal point, thus unifying the work. T/F |
True |
At the beginning of a fugue, the countersubject is stated alone. T/F |
False |
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