remarkable technical skill |
virtuosity |
the years between 1600 and 1750 represent a period of _______________ |
change, adventure, discovery |
The notation system in which the composer puts a numeral above or below the bass note indicating the chord required is referred to as what? |
figured bass |
Which of the following were historical events of the Baroque era? |
– the formulation of the theory of gravitation by Sir Isaac Newton – the investigation of how the blood circulates by William Harvey |
It was for the middle classes that the comic opera and the ______________ both genres filled with keen and witty observations on life, came into being during the Baroque era. |
novel |
What roles did women play in music during the Baroque era? |
singers composers of secular music composers of sacred music |
Which of the following took place during the Baroque period? |
– The Florentine Camerata cultivated a "new style," that emphasized homophonic textures in music. – The establishment of major-minor tonality. |
t of f: The term "Baroque" means misshapen, extravagant, or even distorted. |
true |
T or F: Absolute monarchy, exemplified by Louis XIV of France, was the main form of European government during the Baroque. |
true |
T or F: The Baroque era was characterized by peaceful relations between Protestants and Catholics. |
false |
T or F: Artists such as Bernini and Peter Paul Rubens created works that demonstrate the absence of dramatic gestures in the Baroque era. |
false |
The Baroque system of figured bass allowed the performer to: |
fill the harmonies |
Which of the following was a hallmark of Baroque performance? |
increased improvisation increased virtuosity |
The most notable Baroque innovation was the "drama through music," which we now call _________________ |
opera |
In comparison to the Renaissance, Baroque music is characterized by a texture wherein a single melody stands out known as |
homophony |
Baroque composers often employed which of the following techniques in an attempt to create musical drama? |
dissonance dramatic forte/piano contrasts |
The members of the Florentine Camerata realized that the new style was applicable to entire ___________________ as well as to short poems, leading to "drama through music," or what we now call ___________________ |
dramas opera |
In the major-minor tonal system, what is the most important note? |
tonic |
The rise of opera popularized virtuosic male soprano roles in Baroque dramas; these roles were sung by singers known by what name? |
castrato |
The Baroque marks the introduction of solo song with instrumental accompaniment, called ____________________ in Florence |
the "new style" |
Which of the following took place during the Baroque period? |
– The Florentine Camerata cultivated a "new style," that emphasized homophonic textures in music. – The establishment of major-minor tonality |
T or F: In the Baroque era, convents were one of the few institutions that fostered musical creativity in women. |
true |
How many collections of music did Cozzolani publish in her lifetime? |
three |
Music has often served as a means for marginalized people to voice their perspective. |
true |
Which of the following describes the musical characteristics of Cozzolani’s Magnificat? |
repetition in the text written for soprano soloists and two choirs |
Musical life and activities in Baroque-era convents included: |
evening performances of Vespers new compositions by women in the convent public concerts held outside of the convent |
Which of the following is a piece of music dedicated to the Virgin Mary? |
Magnificat |
The text of the Magnificat focuses upon the moment when the Virgin Mary was told that she would bear a son, a moment that is known in the Catholic Church as the _______________ . |
Annunciation |
Chiara Margarita Cozzolani, a Benedictine ____________ who was also a musician and composer, is noted for having her works______________________and circulated beyond the convent. |
nun published |
T or F: Priests and monks were brought in to convents to sing the lower parts in polyphonic music. |
false |
Which of the following took place at the convent of St. Radegonda when Cozzolani was there? |
– Cozzolani wrote and published her own music. – Cozzolani was the director of one of the convent’s two choirs. – Cozzolani joined family members already in the convent. |
Cozzolani composed her Magnificat for soloists, double choirs, strings, and which instrument? |
organ |
Which of the following is true about Cozzolani’s musical output? |
She wrote motets. She wrote a collection of Vespers. She was one of the leading composers of her day. |
Which of the following are purely instrumental sections that can be included in an opera? |
overture sinfonia |
T or F: Purcell’s opera Dido and Aeneas is based on an episode in Virgil’s Aeneid |
true |
What is the structural basis for Dido’s Lament in Purcell’s opera Dido and Aeneas? |
ground bass |
T or F: Monteverdi was one of the first great composers of opera. |
true |
Which of the following does not describe Henry Purcell’s life and career? |
this is what does – composer – organist – singer |
an opera is a large scale _______________ that is ___________ |
drama sung |
the text script of an opera |
libretto |
a song, usually of a highly emotional nature |
aria |
an orchestral introduction |
overture |
T ot F: The Italian opera was embraced in all western European countries. |
falso |
How does Purcell musically depict Dido’s grief in the aria "When I am laid in earth"? |
with a descending, chromatic bass line with a slow tempo |
Why does Dido sing a lament at the end of Purcell’s opera? |
Aenaes left her |
What is "Thy hand, Belinda," as sung by Dido in Purcell’s opera? |
recitative |
T or F: The masque was an English form of entertainment that combined music, poetry, and dance. |
true |
T or F:Early opera was originally designed to reflect the manner in which seventeenth-century aristocrats sung their conversations to each other on a daily basis. |
falso |
Which of the following operas were composed by Claudio Monteverdi? |
Orfeo The Coronation of Poppea |
Which of the following is NOT true about the orchestral introduction of Act III from Purcell’s Dido and Aeneas? |
minor key |
For which church did Bach write his cantatas? |
Lutheran |
In the Lutheran tradition, the cantata was performed in the service along with what other events? |
Gospel readings prayers the sermon |
For which religious occasion was the cantata Wachet auf (Sleepers Awake) written? |
end of the church year |
The Lutheran chorale Wachet auf is in bar form, which is best described as |
AAB |
Which voices usually sing the melody in a typical Lutheran chorale as sung by the congregation on Sundays? |
soprano |
In which of the following cities did J. S. Bach work? |
Leipzig Weimar Anhalt-Cöthen |
Which of the following components is found in No. 4 of J. S. Bach’s cantata Wachet auf? |
tenors sing chorale melody German language strings play countermelody |
Which of the following components is found in No. 1 of J. S. Bach’s cantata Wachet auf? |
major key chorale melody in soprano voices instrumental ritornello |
Which best describes the history of the reception of Handel’s Messiah? |
Since its first performance it has been performed frequently. It was well received at the time it was composed. |
Which of the following are operas by Handel? |
Julius Caesar Rinaldo |
What is the source of the text for Messiah? |
old and new testament |
Which genre is Handel said to have invented? |
english oratorio |
The seventeenth-century system in New England in which church leaders sang each line of a psalm and the congregation repeated the lines back was known as _____________. |
lining out |
William Billings’s David’s Lamentation is ______________ nd was designed for sacred congregational singing. |
anthem |
Some Puritan leaders considered _______________ to be scandalous |
polyphonic |
The system in which syllables are used to memorize intervals between notes in a standard scale pattern is called: |
solfège |
Which of the following is true about sacred colonial music in New Spain |
Devotional songs performed outside of the church often were in mixed languages. Jesuits used music for teaching indigenous people. Sacred music was written for the Catholic Church. |
Which of the following describes William Billings’s work, David’s Lamentation? |
It is homorhythmic. It is in duple meter. It is consonant. |
Which of the following were noted makers of string instruments in the Baroque era? |
Stradivarius Guarneri Amati |
For what event was Handel’s Water Music performed on July 17, 1717? |
for a royal party on the Thames River |
Trumpets of the Baroque era were still "natural," meaning that they |
had no valves |
Authors associated with the German Sturm und Drang (storm and stress) movement of the 1770s were: |
Goethe Schiller |
The music of Haydn, Mozart, Beethoven, and Schubert is characterized by __________________ melodies |
elegant and lyrical |
Clarity in the Classical era was provided by ____________________ and the frequent use of ___________________ (a pattern repeated at a higher or lower pitch). These devices created balanced structures that were easily accessible to the listener. |
repetition sequence |
T or F: The composers Haydn, Mozart, Beethoven, and Schubert all composed in large-scale forms. |
true |
T or F: The later eighteenth century is known as the Enlightenment. |
true |
Which of the following correctly describe the patronage system of the eighteenth century? |
Patronage provided economic security for musicians. Music was valued as a necessary adornment of life. |
Which period of European art and literature most captivated eighteenth-century thinkers? |
the era of Greek and Roma civilization |
Which societal norm of the eighteenth century enabled the reign of Louis XV and Frederick the Great? |
aristocracy |
Which concert venues were available to composers of the Classical era? |
royal palace public concert hall |
Maria Anna Mozart was which of the following? |
an accomplished pianist known as Nannerl |
T or F:One of the attributes of Classicism is a longing for strangeness, ecstasy, and wonder. |
falso |
What musical occupation was available to women to in the Classical era? |
professional singer music teacher professional instrumentalist |
Composers of the Classical era fully explored which forms? |
string quartet solo sonata symphony |
Music-making in the Classical era centered upon |
the court of the patron |
Which composers are considered part of the Viennese School? |
Haydn Mozart Beethoven |
Which of the following correctly describe Maria Theresia von Paradis? |
She was an excellent pianist and organist. She was blind. |
T or F: Chamber music generally implies a large ensemble, with more than one player to a part |
falso |
The expansion of a melodic idea is known as: |
thematic development |
The second movement of Haydn’s Op. 76, No. 3 String Quartet is composed in what form? |
theme and variations form |
Which movement of a string quartet is often in minuet-and-trio form? |
third |
Which of the following statements best describes the second movement of Haydn’s Op. 76, No. 3 string quartet? |
It contains symmetrical, lyrical phrases. It is mostly in major. |
Varying a theme’s melodic outline, rhythm, or harmony is known as _______________. A __________________ is a theme’s smallest melodic or rhythmic unit. |
thematic development motive |
What is the texture of the final variation of the second movement of Haydn’s Op. 76, No. 3 string quartet? |
polyphonic after the opening homophonic at the beginning |
What is the instrumentation of Haydn’s Emperor Quartet? |
violin, violin, viola, cello |
When did Haydn write his Opus 76 quartets? |
late 1790s |
How many string quartets did Haydn write? |
68 |
n Haydn’s Symphony No. 100, which of the following instruments were utilized to emulate "Turkish" musical sounds? |
triangle cymbal bell tree bass drum |
The Classical orchestra typically included how many players? |
30-40 |
What is the name for a Classical theme that quickly ascends from a low register to a high register? |
rocket theme |
Which of the following describes Haydn’s role in the development of the Classical-era symphony? |
He was nicknamed "father of the symphony." He wrote over 100 symphonies. He composed 12 symphonies for a London audience. |
T or F: Mozart most likely wrote Eine kleine Nachtmusik for string quartet with support from a double bass. |
true |
T or F: The divertimento and the serenade are opera genres. |
false they were chamber dramas |
For which instruments did Mozart write Eine kleine Nachtmusik? |
double bass string quartet |
T or F: Mozart famously began to write music at a very young age. |
true |
Put the sections of sonata-allegro form in their typical order. |
exposition development recapitulation |
For which setting did Mozart write Eine kleine Nachtmusik? |
public outdoor entertainment |
Which statements best describe Mozart’s Eine kleine Nachtmusik? |
The name translates to "a little night music." The version we know today has four movements. It was written as social music. |
The longest movement in a Classical multimovement cycle is most often the __________ movement. This movement is typically in a fast tempo and is in __________ form. |
first sonata-allegro |
Which statements best describe the third movement of Mozart’s Eine kleine Nachtmusik? |
It is in triple meter. The harmony is consonant. The texture is homophonic. |
Which statements best describe the life and career of Wolfgang Amadeus Mozart? |
By the age of thirteen, he had written several operas. He was born into a musical family. His own instrument was the piano. |
Which of the following are true about Mozart’s concerto compositions? |
He mostly wrote them for himself to perform, but sometimes he wrote them for others. His concertos exhibited brilliant flourishes. He wrote 27 piano concertos. |
What is a unique feature of the solo concerto that sets is apart from other instrumental genres? |
cadenza |
Which of the following describes first-movement concerto form of the Classical era? |
It is the longest of the three movements. It is the most complex of the three movements. Combines elements of ritornello procedure with sonata-allegro form. |
Which of the following correctly describe Countess Giulietta Guicciardi? |
one of Beethoven’s students the dedicatee of the Moonlight Sonata |
Beethoven called the Moonlight Sonata a: |
fantasy-like sonata |
Which of the following describes the form of the second movement of Beethoven’s Moonlight Sonata? |
gentle scherzo |
Which of the following correctly describe the first movement of Beethoven’s Moonlight Sonata? |
continuous triplet pattern in accompaniment in an expressive minor key |
Place the parts of the first movement of Beethoven’s Moonlight Sonata in the correct order. |
introduction strophe 1 middle section strophe 2 coda |
Music Appreciation Module 4
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