vanishing point |
masaccio was one of the first artists to use one-point perspective. in his large fresco, trinity, the ___________ is centered in the middle of the horizon line, directly ahead of the viewer |
ideal human proportions |
in The School of Athens Raphael created figures using the _________ ______________ ___________ developed by the ancient greeks |
birds wing |
in leonardo divans design for a flying machine he used a ________ as inspiration |
a cartoon |
when raphael was preparing to paint his fresco The School of Athens he did a large drawing called ________ to help place the design on the wall |
perforated |
to transfer the design of The School of Athens to the wall, Raphael ___________ a large drawing, then used powdered charcoal dust to leave an impression of the original image |
hatching |
a process in which the artist uses closely arranged parallel lines to create value– used in Heads of The Virgin and Child |
hatching |
if an artist wanted to create an area of darkness using the medium of silverpoint, it would be this technique |
sanguine |
this red chalk was used by Renaissance artists, including Michelangelo in his Studies for the Libyan Sibyl |
egg |
the binding agent for the tempera paint |
detail |
tempera lends itself to high _________ because it is usually applied with a brush in short, thin strokes |
gold leaf |
islamic and renaissance artists often used tempera in conjunction with oil and this material, which adds a rich appearance to the work |
tempera |
a good medium to paint a very detailed miniature forest scene |
fresco |
this painting process relies on freshly applied lime plaster to hold the pigment in place |
buon fresco |
a good method used if an artist wanted to create a artwork they could easily alter/fix |
sculpture |
michelangelo believed this was the finest and most challenging of all the visual arts |
Pope Julius II |
Michelangelo planned a grand sculptural scheme for the tomb of ____________, although it was never completed |
true |
T/F: the carving technique Michelangelo used for his sculpture Awakening Slave makes the figure appear to be permanently trapped within the stone |
Giotto |
Cimabue’s student |
renaissance |
which of the following terms means "rebirth" and is used to describe an artistic movement characterized by renewed interest in the Classical world of Greece and Rome? |
represent the illusion of three dimensional space in two dimensions |
linear perspective is used to _________. |
sfumato |
the technique that leonardo da vinci invented a painting a technique that consisted of applying a hazy or misty glaze over the painting. |
Michelangelo |
taking four years to complete, the sistine chapel ceiling was painted by this artist in sections using the buon fresco method |
self-portrait of michelangelo as St. Bartholomew’s flayed skin |
the painting of the Last Judgement in the Sistine Chapel includes __________. |
fresco |
medium of the artwork that decorates the Sistine Chapel ceiling |
because renaissance artists admired Greek mythology, philosophy, and art |
Why were the Greek God Apollo and the goddess Athena included in the School of Athens? |
ignudi |
michelangelo is famous for his nude male figures called |
patronage of the Catholic Church |
the reason many incredible renaissance works of art were made |
woodcut |
a relief print created out of a solid wood block |
make multiple prints of an image |
a woodcut allows an artist to do which of the following? |
a greek artist who worked in italy and spain during the renaissance |
El Greco was |
create the block and cut lines into it |
For his print Four Horsemen of the Apocalypse, Albrecht Durer hired expert craftsman to _________. |
acrylic paint |
a bad medium to use if painting over a number of days |
is longer lasting |
one advantage of using a metal plate over a woodblock for printmaking |
the northern renaissance |
the Arnolfini Portrait is part of what period? |
artists |
scholars believe that Saint Luke drawing the Virgin is meant to show the important of _______ |
Jan Van Eyck |
the renaissance artist and writer giorgio vasari created this flemish painter with the invention of oil paint. |
luminosity |
the transparency of oil paint allows a painter to use a process called glazing to add a degree of ______________ to a painting. |
rembrandt |
this seventeenth- century dutch artist was a master of etching and used it to depict Adam and Even as well as other religious subjects. |
intaglio |
this term for plate printmaking means "cut into" in italian |
relief |
this type of printmaking is done by carving away part of a block in order to leave a raised surface that can be inked and printed |
that the couple are wealthy and faithful |
what does the dog in the Arnolfini Portrait symbolize? |
an impression |
when a printmaker rolls ink onto a raised surface and presses a piece of paper onto it, the resulting image on the paper is known. |
Isenheim Altarpiece |
very graphic depiction of christ crucifixion |
intaglio |
printmaking process |
the protestant reformation |
Duress print the Last Supper reflects the ideas of _____________. |
church officials objected to Christ being shown with clowns, dwarves, and dogs at this key moment in the gospels |
the reason The artist of christ in the House of Levi had to change the name |
Louis XIV |
the sun king |
is more playful and lighthearted |
in comparison baroque art, the style of Rococo |
everywhere |
where was the ornate and fanciful style called rococo fashionable? |
a flirtation between two young lovers |
Fragonard’s The Swing depicts |
the Church’s lack of action against immoral behavior |
The presence of a bishop in fragonard’s The Swing Could suggest: |
delicate pastel colors |
rococo architecture, such as Johann Balthasar Neumann’s basilica of Vierzehnheiligen, preferred |
the trials of an arranged marriage in which the couple behave immorally |
william Hogarth’s marriage a-la-mode series tells the story of: |
public, painters, and critics |
salons, such as the one directed in Pietro Martinis 1785 print, were visited by: |
according to a hierarchy |
pietro martinis print the salon, of 1785 shows how the paintings were displayed |
the sacrifices of an ancient roman family |
jacques-louis David’s painting The Oath of the Horatii is about: |
archaeological discoveries at ancient Roman sites such as Pompeii |
what had the most direct impact in helping to shape the ideals behind the Neoclassical style? |
it represented the ideals to which they aspired |
New north american cities in the late eighteenth century chose neoclassicism as their architectural style because: |
Dürer’s print The Last Supper reflects the ideas of ________. |
the Protestant Reformation |
The artist of Christ in the House of Levi had to change the painting’s name because ________. |
church officials objected to Christ being shown with clowns, dwarves, and dogs at this key moment in the gospels |
T/F To keep Church officials happy, Veronese decided to repaint his entire artwork depicting Christ feasting with disciples and members of the Venetian elite. |
False |
The overall composition and the facial expressions in Pontormo’s Deposition create an atmosphere of ________. |
instability, chaos, and disorder |
A "deposition" scene shows which of the following? |
Jesus’s body being removed from the cross |
El Greco was ________. |
a Greek artist who worked in Italy and Spain during the Renaissance |
T/F |
False |
Parmigianino’s Self-Portrait in a Convex Mirror is a |
painting of the artist looking in a mirror. |
T/F Parmigianino created his skillful and unusual Self-portrait in a Convex Mirror to give to Pope Clement VII because he thought it might help him to get commissions for more artworks. |
True |
Artemisia Gentileschi used directional line brilliantly in her painting "Judith Decapitating Holofernes" to draw our attention to this point. |
blood spurting from Holofernes’s neck |
Artemisia Gentileschi was influenced by the style of which other artist? |
Caravaggio |
Artemisia Gentileschi’s Judith Decapitating Holofernes is part of which movement? |
Baroque |
T/F Bernini depicts his David at exactly the same moment in the story as the versions by his predecessors Donatello and Michelangelo. |
False |
T/F Depictions of The Last Judgement were made by only one culture. |
False |
Donatello’s David is made in what medium? |
bronze |
In Rubens’s The Raising of the Cross, how is the viewer’s attention focused on Christ’s body? |
the lighting and placement |
Michelangelo’s David |
high renaissance |
Donatello’s David |
early renaissance |
Bernini’s David |
baroque |
Nicolas Poussin promoted which of the following approaches? |
only including settings, clothing, and characters from the ancient past |
T/F Of the three sculptures of the biblical hero David in this chapter, the one by Michelangelo makes the identity of the figure the most obvious. |
False |
T/F Only one artist in the Renaissance and Baroque periods ever painted the subject of The Last Supper. |
False |
T/F Peter Paul Rubens worked with many assistants in his studio. |
True |
The decapitation of Holofernes, which is the subject of an oil painting by Artemisia Gentileschi, happened because |
Holofernes was cruel and violent to Judith’s people |
Which of the following design elements relate most closely to Baroque art and architecture? |
diagonal movement, curving forms, dramatic light and shadow |
Which of the following terms refers to the seventeenth and early eighteenth centuries in Western Europe, a period when there was a general increase in motion and emotion in artworks? |
Baroque |
Which pair of artists listed below is known for painting with dark backgrounds that make the figures look like they are emerging into light? |
Caravaggio and Rembrandt |
Who is Phocion in Nicolas Poussin’s painting of "The Funeral of Phocion?" |
an Athenian general wrongly accused of treason |
In Francisco Goya’s Family of Charles IV: |
the artist includes a portrait of himself standing at his easel |
T/F Goya painted a slightly unflattering portrait of the Spanish royal family in his "Family of Charles IV" because he strongly disliked them and wanted to insult the king. |
False |
Francisco Goya’s "The Second of May, 1808" depicts: |
Spanish civilians attacking French soldiers |
T/F |
True |
Théodore Géricault’s painting "Raft of the Medusa" depicts: |
the results of a shipwreck off the coast of West Africa |
Which of the following did Géricault do to prepare for the making of "Raft of the Medusa"? |
visited the site of the shipwreck built a replica of the raft interviewed survivors studied corpses |
T/F Amidst the death and despair in Théodore Géricault’s "Raft of the Medusa," the artist imbued his figures with a sense of nobility. |
True |
The subject of Eugène Delacroix’s Liberty Leading the People is ________. |
the July Revolution of 1830 in France |
In Eugène Delacroix’s Liberty Leading the People, Liberty is ________. |
a symbol of freedom |
The Hudson River School painted ________. |
American landscapes |
T/F The American Hudson River School painters captured the Romantic idea of the sublime by portraying nature’s power to overwhelm man. |
True |
Niagara Falls was a popular subject for North American artists in the second half of the nineteenth century, because it symbolized |
grandeur the beauty and power of nature the presence of God in nature America’s territorial expansion |
T/F Frederic Edwin Church captured the natural wonder and power of Niagara Falls in his painting by using grand scale. |
True |
What inspired Joseph Mallord William Turner to |
a true event |
T/F Gustave Courbet’s Stonebreakers alarmed upper-class viewers because it reminded |
True |
T/F Gustave Courbet described his own work as "realist." |
True |
Henry Ossawa Tanner was influenced by ________. |
Gustave Courbet |
T/F Henry Ossawa Tanner’s "The Banjo Lesson" challenges negative stereotypes of African-Americans. |
True |
Artists in the Pre-Raphaelite Brotherhood were inspired by works from ________. |
middle ages |
T/F John Everett Millais’s Ophelia was painted in one day and was inspired by a dream the artist had after reading Hamlet. |
False |
Put each art historical style/movement in chronological order from oldest to newest. |
1. Renaissance 2. Baroque 3. Rococo 4. Neoclassical 5. Romanticism |
Leonardo da Vinci, |
|
Matthias Grünewald, |
|
Tintoretto, |
|
Artemisia Gentileschi, |
|
Peter Paul Rubens, |
|
Jacques-Louis David, |
|
Théodore Géricault, |
|
Thomas Cole, |
|
Form and Idea 3
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