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A formal analysis of Las Meninas by Diego de Silva y Velázquez would concentrate on this aspect of the work: |
What was in the foreground and background |
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A group of artists might share a style-an identifiable kind of visual expression-because: |
they all used similar techniques they all worked at the same time they all studied in the same place |
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Feminist analysis is a subset of ________ analysis. |
Biographical |
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Iconographic analysis interprets objects and figures in an artwork as: |
Signs or symbols |
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Pablo Picasso studied and copied Las Meninas because: |
He wanted to develop his own individual style |
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Polish artist Magdalena Abakanowicz spent much of her life with her home country under Communist rule by the Soviet Union. The regime emphasized the collective over the individual. This experience is reflected in her artworks in the following way: |
Through the use of multiple, repeated figures |
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Psychological analysis of The Scream by the artist Edvard Munch tells us that the painter was: |
Expressing anxiety |
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Some people argued that Robert Mapplethorpe should not have been awarded public funding, because: |
Of his identity as a gay man and the sexual nature of his photographs |
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The tools of formal analysis help us to: |
Understand how the artists applied the elements and principles to his or her artwork |
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Thomas Struth’s photograph Museo del Prado 7 is: |
A portrait of art appreciation |
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When researching an artwork, you might use primary and secondary sources of information. An example of a secondary source might be: |
A scholarly journal article |
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