the word baroque has at various times meant all of the following except |
naturalistic |
modern historians use the term baroque to indicate |
a particular style in arts |
all of the following were baroque painters except |
isaac newton |
baroque painters exploited their materials to expand the potential of __________ to create totally structured worlds |
all answers are correct |
baroque style flourished in music during the period |
1600-1750 |
the baroque, as a stylistic period in western art music, encompassed the years |
1600-1750 |
the two giants of baroque composition were george frideric handel and |
johann sebastian bach |
all of the following were major baroque composers except |
wolfgang A. Mozart |
which of the following statements is not true ? |
the late period was one of the most revolutionary periods in music history |
one of the most revolutionary periods in music history was the |
early baroque |
the early baroque was characterized by |
homophonic texture |
the early baroque period spanned the years |
1600-1640 |
monteverdi, an early baroque composer, strove to create music that was |
passionate and dramatic |
the early and late baroque periods differed in that composers in the early baroque |
favored homophonic texture |
the middle baroque was characterized by |
a diffusion of the style into every corner of europe |
the middle baroque period spanned the years |
1640-1690 |
composers in the middle baroque phase favored writing compositions for instruments of the ____family |
violin |
by about _____, major or minor scales were the |
1680 |
instrumental music became as important as vocal music for the first time in the _____ period |
late baroque |
the late baroque period spanned the years |
1690-1750 |
affections in baroque usage refers to |
emotional states or moods of music |
a baroque musical composition usually expresses __________ within the same movement |
one basic mood |
the baroque principle of _____ may be temporarily suspended in vocal music when drastic changes of emotion in a text inspires corresponding changes in the music |
unity of mood |
the compelling drive and energy in baroque music are usually provided by |
repeated rhythmic patterns |
baroque melodies often are |
elaborate and ornamental |
baroque melodies give the impression of |
dynamic expansion |
melodic sequence refers to |
the successive repition of a musical idea at higher or lower pitches |
a characteristic often found in baroque melodies is |
a short opening phrase followed by a longer phrase with an unbroken flow of rapid notes |
terraced dynamics refers to |
the sudden alternation from one dynamic level to another |
in the baroque era, dynamics consisted mainly of sudden alternations between loud and soft called |
terraced dynamics |
the main keyboard instruments of the baroque period were the organ and the |
harpsichord |
a popular keyboard instrument in which sound was produced by means of brass blades striking the strings was the |
clavichord |
the most characteristic feature of baroque music is it’s use of |
basso continuo |
a bass part together with numbers (figures) that specify the chords to be played above it is called |
basso continuo |
the orchestra evolved during the baroque period into a performing group based on instruments of the ______ family |
violin |
the word movement in music normally refers to |
a piece that sounds fairly complete and independent but is part of a larger composition |
which of the following statements is not true ? |
audiences in the baroque period were most anxious to hear older familiar favorites , and didn’t care for new musix |
a large court during the baroque period might employ about _______ performers |
80 |
the music director of a baroque court was usually not responsible for |
publicity in reaching an audience |
frederick the great, king of prussia was a |
all answers are correct |
the position of the composer during the baroque period was that of |
a high class servant with few personal rights |
in the baroque period the ordinary citizens opportunities for hearing music usually came from the |
church |
in italy music schools were often connected with |
orphanages |
to get a job a musician had to |
pass a difficult examination |
a concerto grosso most often has _______ movements |
3 |
the large group of players in a concerto grosso is known as the |
tutti |
the concerto grosso most often has three movements whose tempo markings are |
fast slow fast |
the first and last movements of the concerto grosso are often in _______ form |
ritornello |
which of the following statements is not true? |
a concert grosso normally involves a large group of sloughs accompanied by an equal number of supporting players |
the solo instruments in bachs brandenburg concerto no.5 are the ________, violin, and harpsichord |
flute |
bachs brandenburg concerto no.5 is unusual in that |
it gives a solo role to the harpsichord |
a musical ornament consisting of the rapid alternation of two tones that are a whole or half step apart is a |
trill |
a polyphonic composition based on one main theme is the |
fugue |
the main theme of a fugue is called the |
subject |
when the subject of a fugue is presented in the dominant scale it is called the |
answer |
in many fugues the subject in one voice is constantly accompanied in another voice by a different melodic idea called a |
countersubject |
transitional sections of a fugue that offer either new material or fragments of the subject or countersubject are called |
episodes |
__________ is a musical procedure in which a fugue subject is imitated before it is completed |
stretto |
a ______ is a single tone usually in the bass that is held while the other voices produce a series of changing harmonies against it |
pedal point |
turning the subject of a fugue upside down or reversing the direction of each interval is called |
inversion |
presenting the subject of a fugue from right to left, or beginning with the last and proceeding backward to the first note is called |
retrograde |
presenting the subject of a fugue in lengthened time values is called |
augmentation |
presenting the subject of a fugue in shortened time values is called |
diminution |
very often an independent fugue is introduced by a short piece called A |
prelude |
the baroque period
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