The texture of this example is |
Polyphonic |
Léonin and Pérotin were two composers associated with Notre Dame and the development of polyphony. |
True |
Who is credited with the creation of plainsong? |
Pope Gregory I |
Which of the following factors most strongly suggests that this piece is an example of secular music? |
It has irregular rhythms |
. This excerpt most likely falls in the category of: (Play :17) |
Mass |
A characteristic of this excerpt that suggests it is from a medieval Mass is: |
The smooth melodic lines and unstressed rhythm |
Which of the following were important composers in the Medieval period? |
Hildegard von Bingen and Guillaume de Machaut |
Most of the notated music that survives from the Medieval period is secular in nature. |
False |
The two most important French composers of organum and discant during the Medieval period were: |
Léonin and Pérotin |
In the early days of the church, the only music allowed during the service was: |
Vocal Music |
The dates for the Medieval period are generally considered to be: |
1150 – 1450 AD |
Which of the following were secular genres in the Medieval period? |
Rondeaus, ballades, and lai |
A unifying factor for social, political, and cultural life in the Medieval period was.. |
The Roman Catholic Church |
The following composition is a work by: |
A French troubadour |
Which of the following is a salient characteristic of secular music from the Medieval period? |
Strong, dance-like rhythms performed by a combination of instruments and voices |
Goliards are famous for their inspired performances during the services at the monastery of Santo Domingo de Silos in Spain. |
False |
Which of the following were sacred genres in the Medieval period? |
Masses and motets |
Which of the following is a distinguishing characteristic of sacred music from the Medieval period? |
Smooth melodies sung a cappella |
This excerpt is an example of: |
Secular music |
This excerpt is an example of… |
Stepwise melody with unstressed rhythms |
The composer of this excerpt is… |
Guillaume de Machaut |
This excerpt is an example of a medieval religious type of composition known as |
plainsong, plainchant, or Gregorian chant |
The melody of this example suggest that it is from sacred music of the Medieval period because… |
It moves stepwise and has a small range. |
This is an example of a musical genre known as |
Gregorian chant |
This excerpt is most likely from a… |
Troubadour song |
The great European churches and cathedrals of the Medieval period were important to the development of Western music. |
True |
A feature of this example suggests it is from the early part of the Medieval period. That feature is: |
Monophonic texture |
Which of the following examples represents secular music? |
Example C |
This excerpt is… |
Dance music from the Medieval period |
The composer of this excerpt is… |
Hildegard von Bingen |
Which of the following is NOT a chant of the Proper of the Mass? |
Sederunt Principes |
Listen to the following excerpt of a Medieval composition. |
An advanced 12th-century four-voice organum |
Which of the following examples represents sacred music? |
Example B |
Which 8th- and 9th-century ruler had a profound influence on Church music? |
Charlemagne |
Which of the following was regarded as a leading composer of the Ars Nova style? |
Guillaume de Machaut |
Guido d’Arezzo wrote The Fundamentals of Music, a very important medieval treatise (essay). |
False |
Anicius Boethius invented a system that made possible the memorization and written transmission of melodies. |
False |
The following excerpt is an example of Renaissance a cappella choral music. |
False |
Two important composers from the Renaissance period were: |
Desprez and Palestrina |
Despite advances in other areas, Renaissance harmony and polyphony remained restricted to the music rules that governed most of the Medieval period. |
False |
Which of the following is a composition for the vihuela? |
Example B |
The following excerpt features characteristics of polyphonic texture. |
True |
The following excerpt has smooth melodies that imitate one another on entrances. |
False |
Which of the following events occurred in America during the time period known as the Renaissance? |
Columbus discovered "The New World." |
The following composition, featuring 40 voices, was written by: |
Thomas Tallis |
This instrument, which was very popular during the Renaissance, is called a: |
Lute |
According to the text, the Renaissance period was known as: |
The Golden Age of Choral Music |
The following example is played on an instrument that was very popular during the Renaissance. That instrument is the: |
Lute |
Which of the following was NOT a popular form during the Renaissance period? |
Plainsong |
The following excerpt is an example of Renaissance a cappella choral music. |
True |
Venit ad Petrum was often used as the cantus firmus for the mass. |
True |
The following example was composed by a musician whose career exemplifies the dominance of composers from Northern France and the Netherlands during the Renaissance. |
Josquin Desprez |
Renaissance artists didn’t really care very much if their works appealed to the public at large; they were more concerned about the "purity" of their music. |
False |
Concentration on vocal music during the Renaissance period meant that instrumental music continued to be used as mere accompaniment for voices. |
False |
This is an excerpt from a: |
Madrigal |
This example is: |
From a Renaissance composition having its roots in folk songs |
One difference between a Renaissance Mass and a motet is: |
A Mass is always based on a specific text that is part of the liturgy of a given day. |
The composer of this selection is: |
Jacob Obrecht |
The Renaissance was the Golden Age of: |
Choral composition for small ensembles |
What element of the musical style of the following piece indicates that it is from the Renaissance period rather than the Medieval period? |
It features imitation that goes through all the voices |
The Renaissance period saw inventions and developments that: |
Changed the physical and intellectual landscape of Europe. |
Which time period is generally considered the Renaissance period? |
1450 – 1600 |
During the Renaissance, what was the name composers gave to the original chant used as the basis for the main melody in a composition? |
Cantus firmus |
The following excerpt features characteristics of polyphonic texture. |
False |
The following excerpt has smooth melodies that imitate one another on entrances. |
True |
Which of the following selections is an example of a Renaissance consort? |
Excerpt D |
The Renaissance madrigal was a sacred music form used to convey the meanings behind the poems on which they were based. |
False |
Which of the following is not part of the Ordinary of the Catholic Mass? |
Alleluia |
The Renaissance may be described as an age in which: |
Individualism, humanism, and secular values started to flourish once again. |
Which of the following forms is not based on the principle of repetition? |
Binary form |
Form can be defined as the constructive or organizing element in music. |
True |
The following musical excerpt represents strophic form. (player 3:11) |
True |
Which of the following forms is not based on the principle of contrast? |
Strophic form |
Composers and arrangers can introduce some elements of variation in a piece of music without altering its basic form. |
True |
This piano piece exemplifies: |
Ternary form |
Usually, folk tunes, songs, spirituals, and hymns are not good examples of strophic form. |
False |
Listen to the following two examples from a piece in rondo form presented in the text. Example A (Player :20) |
Example A |
This movement from a piano sonata by Beethoven exemplifies: |
Rondo form |
Listen to the following example. |
Ternary form |
The following musical excerpt represents strophic form. |
False |
This cello piece exemplifies __________ form. |
Binary |
According to the text, in rondo form, the repeating themes are separated by: |
contrasting episodes |
This piece of music is an example of: |
Strophic form |
This composition is a clear example of: |
Theme and variations form |
Which excerpt most likely represents theme and variations form? |
Example A |
A Baroque suite is… |
A multi-movement instrumental work based on rhythms of popular dances |
The dates given in the course for the Baroque Period place it between: |
1600-1750 |
The composer of the following music example could likely be… |
Purcell |
The dynamics in this example is best described as: |
Terraced dynamics |
Which statement reflects the musical features of the following music example? |
Contrasts between a small group of soloists and a larger ensemble |
The following selection, sung by Historicus, comes from a well-known __________. |
oratorio |
Which of the following describes this example? |
Wide dynamic range and repetition in the melody to express deep feelings |
Which statement does NOT apply to the following music example? |
It is sung a cappella |
One characteristic of this excerpt that suggests it might be from the Baroque Period is: |
It contrasts a group of instruments with a solo instrument. |
The secular text and overall musical style of this example suggest that it is from a/an: |
Opera |
Listen to this music example and answer the following question: What would be the typical expectation regarding the rest of the movements of this particular type of work? |
There may be other movements, some of which may introduce soloists. |
Who composed La favola d’Orfeo, a work that marks the beginning of opera as a major art form? |
Claudio Monteverdi |
The sacred text and overall musical style of this example suggests that it is part of a/an: |
Oratorio |
Listen to this music example and answer the following question: Who would be a likely composer for this work? |
Bach or Handel. |
Early baroque music is characterized by frequent use of polyphonic texture. |
False |
In the Baroque period, music for keyboard… |
Was created mainly for use in instrumental genres such as sonatas, suites, and concertos |
The following excerpt is most likely from a/an: |
Opera |
During the Baroque period, the musical feature that lent harmonic support to the main melodic line of a composition was called: |
Basso continuo |
The musical features of the following example suggest that it comes from a/an: |
Aria |
Which of these examples is a recitative? |
Excerpt B |
Farinelli was a famous: |
castrato |
The following excerpt is most likely from a: |
Concerto |
In contrast to the Renaissance, where vocal and choral music took center stage, instrumental music established itself as the most significant genre of the Baroque period. |
True |
Which statement reflects the musical features of the following music example? |
Performed by a small orchestra |
Which of the following important events took place during the Baroque period? |
The Scientific Revolution |
According to Monteverdi, what is the difference between prima practica and seconda practica? |
Prima practica emphasized equality of voices whereas seconda practica emphasized a hierarchy of voices |
Which one of the following pairs of words or phrases represents the two main concepts behind Baroque music? |
Basso continuo; The Doctrine of Affections |
The following excerpt is an example for which style of recitative? |
Recitativo secco |
The following musical excerpt is from a recitative. |
True |
Which of the following excerpts exhibits Baroque rhythmic characteristics? |
Excerpt B |
The following excerpt is most likely from a(n)… |
Piece for solo keyboard |
The following musical excerpt is from a recitative. |
False |
Which statement does NOT apply to the following music example? |
It has monophonic texture |
Which of the following important events took place during the Baroque period? |
The Thirty Years’ War |
The vocal technique illustrated by the following example is known as: |
Melismatic singing |
During the Baroque period, the term sonata was used for musical works __________. |
to be played |
The texture of this excerpt is: |
Polyphonic |
Which group was credited with inventing the recitative? |
The Florentine Camerata |
A Baroque oratorio is… |
A multi-movement sacred work for soloist and choir intended for a concert performance |
A Baroque sonata is… |
A piece for solo instrument or a small group of instruments |
The Baroque concerto is… |
A piece that contrasts a solo instrument with an ensemble |
Which of the following is NOT a Baroque composer? |
Dufay |
Which of the following examples features melismatic singing? |
Example C |
What is the name of the technique used in the following excerpt? |
Terraced dynamics |
The earliest surviving opera—then called dramma per musica—was written by a member of the Florentine Camerata named: |
Jacopo Peri |
Tempo is an Italian universal musical term that refers to the speed at which a music composition is played. |
true |
Meter organizes _________ and __________ sounds into units called measures. |
stressed : unstressed |
Which of the following is a false statement? |
Tempo and rhythm are interchangeable terms. |
Each measure contains a combination of strong and weak __________, which represent the underlying ____________ of the music. |
beats : pulse |
Where are tempo markings usually written in a music score? |
over the staff |
Rhythm is defined as: |
the organization of sounds in time |
The proper musical term for "increasing the tempo" is __________. |
accelerando |
__________ is an Italian term that describes moderately fast tempo |
moderato |
The Italian term that describes very fast tempo is: |
presto |
If the printed program at a concert indicated that the first movement of a symphony was titled Allegro and the second Andante, you would expect: |
The first movement to be fast, the second slower |
Meter in music can best be described as: |
The grouping of pulses into consistent units |
The top number of the time signature above, represents: |
there are three beats in each measure |
The Italian term for at ease is: |
adagio |
The proper musical term for ‘decreasing the tempo’ is __________. |
ritardando |
Syncopation is often used in jazz settings. |
true |
Which excerpt suggests tempo rubato? (:46) |
example A |
Which of the following excerpts has a fast tempo? (:11) |
example A |
The sense of beat in this example is unstressed throughout. (4:32) |
true |
Which excerpt is an example of accelerando? (:16) |
example A |
The following excerpt is an example of duple meter. (:14) |
true |
Listen to the following selection. Which of the following Italian tempo terms best applies to this selection? (7:31) |
allegro |
The placement of accents in the following example causes us to perceive its meter as: (:25) |
mixed and changing |
The following excerpt is an example of ritardando. (:11) |
true |
The following example features a steady pulse played by the bass. (5:59) |
true |
Which combination of beat and tempo is present in this excerpt? (:30) |
strong and slow |
In the following example: (:29) |
The repeated rhythm pattern is part of the accompaniment |
The following excerpt is an example of ritardando. (:11) |
false |
Listen to the following selection. Which of the following Italian tempo terms best applies to this selection? (:59) |
Vivace |
Which excerpt suggests a weak beat? (:11) |
example B |
The following excerpt is not an example of triple meter. (:42) |
false |
The predominant meter of this example is: (2:53) |
triple |
The tempo in this example could be described as: (:30) |
accelerando |
The pulse in this example… (:44) |
is very weak throughout |
The tempo in this example… (:36) |
remains consistent |
This example illustrates the use of: (:30) |
ritardando |
The tempo of this example could be described as: (:20) |
Consistently allegro |
Which of these statements best describes the unique rhythmic feature in this example? (:19) |
the dramatic use of silence |
The following excerpt is: (:15) |
The Triumphal March from the opera Aida |
A melody consists of a succession of: |
pitches |
Does the following excerpt move mainly by disjunct, conjunct, or repeated tones? (:26) |
it has all three |
The characteristics of a melody may be best described in terms of: |
shape, direction, range |
Does the following excerpt move mainly by disjunct, conjunct, or repeated tones? (:13) |
it has all three |
Does the following excerpt move mainly by disjunct, conjunct, or repeated tones? |
conjunct |
When a melody acquires significant importance within a given composition, it is called a: |
theme |
The most salient compositional aspect of the following excerpt is: (:35) |
Imitation between voices |
The melody in the following excerpt is comprised of: (:24) |
Several small melodic ideas |
The direction of the following melody can be best described as: (:05) |
Downward at first and then static |
The trumpet melody in the following excerpt can be best described as: (:03) |
disjunct |
The melodic material in the following excerpt can be best described as having: (:13) |
Mixed melodic directions with a transitional character |
Does the following excerpt feature more disjunct, conjunct, or repeated tones? (:22) |
conjunct |
The following excerpt is consonant. (:11) |
true |
The following excerpt represents a melody without harmonic accompaniment. (:14) |
true |
The term harmony refers to the horizontal aspect of music. |
false |
The following excerpt represents (:11) |
melody with harmonic accompaniment |
Although the violin is mostly a single melody instrument, violinists can also play chords using an instrumental technique known as: |
double stops |
The following excerpt is dissonant. |
false |
Two simultaneous pitches of the same letter name and pitch (e.g., C, G, or D) constitute a harmony. |
False |
This music example illustrates a chord played one note after another. This is called: |
arpeggio |
Consonant harmonies usually provide a feeling of tension. |
false |
The following excerpt represents melody by itself without harmonic accompaniment. |
false |
The following excerpt represents melody with harmonic accompaniment. (:06) |
False |
The following excerpt represents melody with harmonic accompaniment. (:11) |
true |
This excerpt demonstrates: (:19) |
How dissonant harmonies create tension and instability throughout |
Listen to the following example. |
Monophony |
Which of the following choices is the defining characteristic of polyphony? |
The independence and equality of concurrent melodic lines |
This music passage is an example of: (:16) |
Homophony |
The following excerpt represents monophonic texture. (:07) |
true |
The following excerpt represents polyphonic texture. (:14) |
false |
This piece of music is a good example of: (:20) |
Polyphonic texture |
This piece is a good example of: (:18) |
Homophonic texture |
The following music excerpt features: (:17) |
A mixture of polyphonic and homophonic textures |
The following excerpt represents monophonic texture. (:21) |
false |
This music excerpt is an example of: (:31) |
Polyphonic texture |
The following excerpt represents homophonic texture. (:18) |
false |
In general, operatic arias of the Romantic period, for example those by Giacomo Puccini (1858-1924), provide good examples of homophonic music. |
true |
Musical texture refers to how melody and harmony relate to each other. |
true |
Which of the following terms does not refer to a basic musical texture? |
Cacophony |
The musical texture that consists of a single melody without accompaniment is called: |
Monophony |
Which Classical genre is represented by this example? |
Chamber music |
Which one of the following examples comes from a famous Beethoven symphony? |
Excerpt D |
The following excerpt comes from a famous aria in one of Mozart’s most enduring operas. Identify the opera in question. |
Don Giovanni |
A string [ ] is composed of two violins, one viola, and a cello. |
quartet |
Which of the following composers wrote this symphony? |
Ludwig van Beethoven |
The symphony had its origins in the overture, which was the introductory music for Italian opera. |
True |
From the Classical period onwards, sonata-allegro form was replaced by other forms as the basis for most instrumental music. |
False |
The sections of the Classical sonata-allegro form are: |
Exposition, Development, and Recapitulation |
Listen to the following example and select the genre that best defines it: |
Symphony |
We can say that the melody in the following example is typical of the Classical period because it is: |
Short, symmetrical, and balanced |
Beethoven is sometimes referred to as "The Father of the Symphony." |
False |
During the Classical period, opera buffa (comic opera) plots were based on myths and historical figures. |
False |
The following example from the Classical period may be classified as a/an: |
Sonata |
The following musical excerpt is from the Classical period. |
False |
The rhythm of the following example suggests that the piece was composed during the Classical period. The rhythm may be described as having a: |
Clear pulse and meter with regular, dance-like rhythms |
Which of the following is not an overture by Beethoven: |
Pastoral |
Which of the following were important composers of the Classical period? |
Mozart and Haydn |
We can say that the harmony in the following example is typical of the Classical period because it features: |
chord accompaniment and clear, strong cadences |
The texture of the following example from the Classical period can best be described as: |
Homophonic |
The dates given in this course for the Classical period are: |
1750 – 1825 |
What common Classical period genre does this excerpt represent? |
Symphony |
According to the text, Beethoven strongly influenced the music of Haydn. |
False |
Which genre is represented by this example? |
Concerto |
This is an example of a new style of opera called opera buffa that emerged during the Classical period. It differed from opera in previous periods because… |
Stories were based on "real people," and the music was light and humorous. |
From which of the following pairs would you choose the most likely composer of this example? |
Haydn or Beethoven |
Which would be the most likely composer of this example? |
Wolfgang Amadeus Mozart |
Suppose you are listening to the first movement of a symphony written in the Classical period. You have heard the first section, in which two themes were introduced, and a second section, in which segments of those themes were expanded and developed. What would you expect next? |
A varied repeat of the first section with a return of the two original themes |
Which of the following characteristics are associated with the rococo style? |
Elegance, delicacy, softness, and playfulness |
The following excerpt comes from a famous aria in one of Mozart’s most enduring operas. Identify the opera in question. |
The Magic Flute |
The following musical excerpt is from the Classical period. |
True |
Sonata-allegro form was used mainly in works for solo piano and did not apply to works for larger ensembles. |
False |
Which one of the following excerpts may be classified as chamber music? |
Excerpt C |
Which one of the following excerpts belongs to a large choral work from the classical period? |
Excerpt A |
Which of the following is a composition for an orchestral ensemble? |
symphony |
Identify the event that did not occur during the Classical period: |
American Civil Rights Movement |
The following piano sonata was composed by one of the first female virtuoso performers. Identify this composer. |
Clara Wieck Schumann |
The following difficult piece for the violin was written by one of the few musicians of the time who could play it. Identify this composer. |
Paganini |
According to the text, the Traditionalists were composers of the Romantic era who: |
Held reverence for the music of the masters |
According to the text, which of the following are Post-Romantic composers? |
Rachmaninoff and Holst |
An important Romantic composer founded The New Journal of Music, an influential musical periodical in which this same composer frequently published his own musical criticism and promoted the works of other musicians. His name is: |
Schumann |
Who was NOT a nationalist composer? |
Liszt |
Which of the following excerpts features frequently changing tempos? |
Excerpt B |
Which of the following was not a member of the Five? |
Pyotr Tchaikovksy |
Which of the following was NOT known as a composer of choral music? |
Chopin |
Which one of these composers was considered a national hero in his homeland? |
Jean Sibelius |
The melody in this composition is representative of Romantic music because it: |
Is long, flowing, and lyrical |
The composer pictured above, an international artist of Hungarian heritage, decided to become a technical wizard at the keyboard after hearing Paganini playing the violin. What is his name? |
Liszt |
Which of the following excerpts is most likely a composition by Paganini? |
Excerpt C |
During the Romantic period, choral music enjoyed its highest popularity since the Renaissance period. |
True |
The composer pictured above is best known for taking older forms and styles and redefining them in modern ways. Antonín Dvorák was inspired by his Hungarian Dance No. 1. What is this composer’s name? |
Brahms |
The dynamics of this excerpt indicate that it was composed in the Romantic period because: |
Dynamics range from extreme soft to very loud |
From the following composers, select the one that best understood the intrinsic nature and potential of the piano as an expressive instrument: |
Frédéric Chopin |
The following choral work, based on the German Bible, was written by: |
Brahms |
An important artistic product of the Romantic period was: |
Vincent van Gogh’s paintings |
Which of the following composers, upon arriving in Paris in 1831, quickly became closely associated with the most prominent intellectuals, artists, musicians, political activists, and financiers of his day, thus launching his career? |
Frédéric Chopin |
Which one of the following is not a general characteristic of Romantic music: |
Compositions were based on logic and controlled feelings. |
According to the text, art of the Romantic period valued emotional restraint and clarity of form. |
False |
In broad terms, music and the other arts of the Romantic period… |
Gave full expression to a wide range of feelings, dreams, and the heroic human potential. |
This excerpt is representative of Romantic music because… |
It expresses strong emotion through extreme loud and soft dynamics, wide pitch ranges, and a variety of timbres. |
The following excerpt is from Chopin’s Revolutionary Étude. |
False |
Which of the following statements best describes musical form in the Romantic period? |
Romantic composers worked with traditional forms but expanded them in innovative ways to meet their expressive needs. |
Which of the following is not a composer from the Romantic period? |
Eugene Delacroix |
Which of the following statements best characterizes the "mood" of the Romantic period? |
Rules and logic are less important that the free expression of human feelings. Humans can only "fully become" by exploring their inner feelings. |
The Five was a group of nationalist composers who sought to incorporate elements of ______________ in their work. |
Russian music |
The following selection is from Berlioz’s Symphony Fantastique. |
False |
The name of the composer pictured above, who wrote more than 600 art songs (lieder), is: |
Franz Schubert |
During the Romantic period, most composers were: |
Independent business persons, earning their living by performing music, writing music for specific occasions and commissions, and collecting royalties on published music. |
The dance-like characteristics of the following piece indicate that it was written by: |
Chopin |
According to the text, Romantic composers abandoned the principles of unity and variety in pursuit of more innovative and expressive sounds. |
False |
According to the text, composers of the Romantic period were reluctant to stray from the seven tones of the traditional scale (i.e., A, B, C, D, E, F, G). |
False |
Which of the following is an example of increasing tempo (accelerando), and the increasing excitement that goes with it? |
Excerpt D |
This composer pictured above wrote The Blue Danube, arguably the most famous waltz of all time. His name is: |
Johann Strauss Jr. |
Changes in tempo were rarely found in music of the Romantic period, in keeping with Classical period values. |
False |
Notes that don’t belong to the traditional scale are known as ______________ alterations. |
Chromatic |
Which of the following composers envisioned operas as "musical dramas"—a combination of all the arts? |
Wagner |
According to the text, which of the following is NOT considered a form of program music? |
Mazurka |
The course places the Romantic period in music between the years: |
1820 – 1910 |
A musical genius, but also someone with strong anti-Semitic views, the man pictured above was one of the most influential composers of the Romantic Period. His name is: |
Richard Wagner |
OnMusic Appreciation – Final
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