T/F The Industrial Revolution of the eighteenth century saw a series of important inventions, which helped shape the modern world. |
True |
T/F The composers Haydn, Mozart, Beethoven, and Schubert all composed in large-scale forms. |
True |
Maria Theresa von Paradis |
She was blind. She was an excellent pianist and organist. |
Authors associated with the German Sturm und Drang (storm and stress) movement of the 1770s were: |
Schiller and Goethe |
The music of Haydn, Mozart, Beethoven, and Schubert is characterized by _____ melodies. |
elegant and lyrical |
Which concert venues were available to composers of the Classical era? |
the public concert hall and the royal palace |
Maria Anna Mozart |
an accomplished pianist and known as Nannerl |
T/F In the eighteenth century, a new economic power was growing as a result of the Industrial Revolution. |
True |
Which societal norm of the eighteenth century enabled the reign of Louis XV and Frederick the Great? |
Aristocracy |
Clarity in the Classical era was provided by ____ and the frequent use of ____ (a pattern repeated at a higher or lower pitch). These devices created balanced structures that were easily accessible to the listener. |
repetition…..sequence |
What musical occupation was available to women to in the Classical era? |
Professional instrumentalist, music teacher, and professional singer |
Which composers are considered part of the Viennese School? |
Mozart, Haydn, Beethoven |
T/F The later eighteenth century is known as the Enlightenment. |
True |
T/F One of the attributes of Classicism is a longing for strangeness, ecstasy, and wonder. |
False |
T/F The Classical era has been called the Age of Enlightenment. |
True |
Composers of the Classical era fully explored which forms? |
Symphony, string quartet, solo sonata |
Which of the following correctly describe the patronage system of the eighteenth century? |
~Patronage provided economic security for musicians. ~Music was valued as a necessary adornment of life. |
Music-making in the Classical era centered upon |
the court of the patron |
Which period of European art and literature most captivated eighteenth-century thinkers? |
the era of ancient Greek and Roman civilization |
T/F The focus of Classical chamber music is soloistic virtuosity. |
False |
T/F Mozart worked under the patronage of the Esterházy court. |
False |
Which movement of a string quartet is often in minuet-and-trio form? |
third |
Which of the following instruments are found in a typical string quartet? |
Viola, violin, cello |
Varying a theme’s melodic outline, rhythm, or harmony is known as ____. A ____ is a theme’s smallest melodic or rhythmic unit. |
thematic development…..motive |
Analyze the way themes are developed in music from two different cultures, using Beethoven, Symphony No. 5, I. Which of the following are found in this example? |
~The excerpt begins with a short melodic idea or motive (short-short-short-long). ~The motive is heard in sequence, starting on other pitches. |
T/F Chamber music generally implies a large ensemble, with more than one player to a part. |
False |
T/F The favored chamber ensemble in the Classical era was the string quartet. |
True |
What is the texture of the final variation of the second movement of Haydn’s Op. 76, No. 3 string quartet? |
~Homophonic at the beginning ~Polyphonic after the opening |
Which of the following statements best describes the second movement of Haydn’s Op. 76, No. 3 string quartet? |
~It contains symmetrical, lyrical phrases. ~It is mostly in major. |
When did Haydn write his Opus 76 quartets? |
late 1790s |
Why is Haydn’s String Quartet, Op. 76, No. 2 is nicknamed Emperor? |
The theme in the second movement is based on a hymn written for the Austrian emperor. |
The music of the fourth variation of the third movement in Haydn’s Op. 76, No. 3 string quartet is said to have been based on a folk song from which country? |
Croatia |
What is the form of the first movement of a typical Classical string quartet? |
sonata-allegro |
Analyze the way themes are developed in music from two different cultures, using In a Mountain Path (Chinese Song). Which of the following are found in this example? |
~The melodic idea is expanded as the work progresses. ~The main melodic idea is heard starting on the same pitch each time. ~It begins with a brief introduction. |
Instrumental music that does not have any specific meaning beyond the notes is called ____ music. |
absolute |
Which of the following was Haydn’s main instrument? |
viola |
The second movement of Haydn’s Op. 76, No. 3 String Quartet is composed in what form? |
theme and variations form |
Which composer worked well under the patronage system? |
Haydn |
How many string quartets did Haydn write? |
68 |
The expansion of a melodic idea is known as: |
thematic development |
Which of the following describes Haydn’s role in the development of the Classical-era symphony? |
~He wrote over 100 symphonies. ~He was nicknamed "father of the symphony." ~He composed 12 symphonies for a London audience. |
T/F The heart of the Classical orchestra was the string family. |
True |
What is the nickname of Haydn’s Symphony No. 100? |
Military |
The Classical orchestra typically included how many players? |
thirty to forty |
Which of the following musical elements did the German Classical symphonists contribute to the symphony genre? |
~The use of a "steamroller" crescendo. ~The use of a "rocket theme." |
T/F The second movement of Haydn’s Symphony No. 100 is composed in triple meter. |
False |
Which of the following are characteristics of the second movement of Haydn’s Military Symphony? |
~Duple, marchlike meter ~Simple, graceful theme |
Haydn’s Symphony No. 100 was first presented in ____. Its nickname comes from the use of percussion instruments associated with ____ military music. |
London…Turkish |
From which older genre did the symphony evolve? |
The Italian opera overture. |
The form of the second movement in Haydn’s Symphony No. 100 is in ____ parts. |
three (A-B-A’) |
Who was the composer of the London Symphonies? |
Joseph Haydn |
Percussion is absent from the second movement of Haydn’s Symphony No. 100. |
False |
In Haydn’s Symphony No. 100, which of the following instruments were utilized to emulate "Turkish" musical sounds? |
cymbal, triangle, bell tree |
The heart of the Classical-era orchestra was the _____ section. |
string |
What meter does Haydn use in the second movement of his Symphony No. 100 to emulate a march? |
duple |
What nationality are Janissary bands? |
Turkish |
What is the name for a Classical theme that quickly ascends from a low register to a high register? |
rocket theme |
For which instruments did Mozart write Eine kleine Nachtmusik? |
double bass and string quartet |
What is the Italian phrase found at the end of the trio section in a minuet-and-trio movement that means "from the beginning?" |
da capo |
T/F Mozart worked successfully under the patronage system for his entire life. |
False |
T/F Mozart famously began to write music at a very young age. |
True |
The first movement of a Classical multimovement cycle is often in ____ form. |
Sonata-allegro |
Which statements best describe Mozart’s Eine kleine Nachtmusik? |
~The version we know today has four movements. ~The name translates to "a little night music" ~It was written as social music. |
T/F The divertimento and the serenade are opera genres. |
False |
Which statements best describe the life and career of Wolfgang Amadeus Mozart? |
~He was born into a musical family. ~By the age of thirteen, he had written several operas. ~His own instrument was the piano. |
Baroque Rondeau by the French court composer Jean-Joseph Mouret |
the A section |
What is the last section of sonata-allegro form in which the opening thematic material is restated? |
recapitulation |
third movement from Mozart’s Symphony No. 40, which is in minuet and trio form |
It is in triple meter. |
Which of the following is true of Mozart at the time just before his death? |
He was working on his Requiem |
T/F Mozart most likely wrote Eine kleine Nachtmusik for string quartet with support from a double bass. |
True |
Which statements best describe the third movement of Mozart’s Eine kleine Nachtmusik? |
~The texture is homophonic ~It is in triple meter ~The harmony is consonant |
For which setting did Mozart write Eine kleine Nachtmusik? |
public outdoor entertainment |
T/F Sonata-allegro form is made up of one main section. |
False |
The longest movement in a Classical multimovement cycle is most often the ____ movement. This movement is typically in a fast tempo and is in ____ form. |
first….sonata-allegro |
The third movement of Mozart’s Eine kleine Nachtmusik is in what form? |
minuet and trio |
In what form is the third movement of a typical Classical multimovement cycle? |
minuet and trio |
Sonata-Allegro Form Order |
Exposition, Development, Recapitulation |
Baroque Rondeau by the French court composer Jean-Joseph Mouret |
a new section |
What meter is the third movement from Mozart’s Symphony No. 40? |
It is in triple meter. |
What is the Italian phrase found at the end of the trio section in a minuet-and-trio movement that means "from the beginning?" |
da capo |
Sonata-Allegro Form Movement |
Slow Intro(optional)-first theme-bridge-second theme-closing theme-exposition repeated |
What is a unique feature of the solo concerto that sets is apart from other instrumental genres? |
the cadenza |
T/F Though Mozart wrote many of his piano concertos as display pieces for his own public performances, he wrote the G major piano concerto K. 453 for another person to perform. |
True |
T/F Mozart wrote twenty-seven concertos for the piano, for which he himself was most often the soloist. |
True |
In the Classical-era concerto, composers balanced the virtuosic display of the____with the collaborative efforts of the____. |
soloist….orchestra |
Which of the soloists in these three examples features the widest range? |
piano |
T/F Improvisation occurs in a Classical concerto. |
True |
Put the parts of the first movement of Mozart’s G major piano concerto in order. |
Orchestral exposition, solo exposition, development, recapitulation |
For which soloist did Mozart write his G Major Piano Concerto, K. 453? |
Babette von Ployer |
How many movements does a typical Classical-era concerto have? |
three |
The Classical-era concerto has how many movements? |
three |
Mozart: Horn Concerto, K. 447,III |
melody contains many repeated notes, allegro (fast) tempo |
Mozart: Piano Concerto, K. 467, II |
pizzicato strings, andante (walking) tempo |
Which of the following describe the first movement of Mozart’s G Major Piano Concerto, K. 453? |
It is mostly homophonic, it is in a major key, it is written in first-movement concerto form. |
T/F The Classical-era concerto has four movements. |
False |
Which of the following describes first-movement concerto form of the Classical era? |
It is the most complex of the three movements, it is the longest of the three movements, combines elements of ritornello procedure with sonata-allegro form. |
T/F In the cadenza of a Classical-era concerto, the orchestra improvises freely. |
False |
First-movement concerto form is sometimes described as a____form with a____exposition. |
sonata-allegro….double |
During the Classical era, composers wrote concertos for orchestra and an instrumental: |
soloist |
First movement:____; second movement:____; third movement:____ |
Fast..slow..fast |
The cadenza that is typically performed today in Mozart’s G Major Piano Concerto, K. 453 is: |
the cadenza written by Mozart |
T/F First-movement concerto form is based on principles from Baroque ritornello form and sonata-allegro form. |
True |
Which best describes the tempo of the third movement of the Moonlight Sonata? |
presto agitato |
Beethoven called the Moonlight Sonata a: |
fantasy-like sonata |
The Moonlight Sonata evokes what new expressive style? |
Romantic |
Haydn, Mozart, and their successors understood the term sonata as an instrumental work for one or____instruments consisting of____or four contrasting movements. |
two….three |
T/F The Classical sonata typically consists of three to four movements. |
True |
T/F Beethoven dedicated his Moonlight Sonata to one of his students. |
True |
Which of the following best describe the sonata in the Classical era? |
Sometimes designed for amateur performance, sometimes used by composer-performers as show pieces, considered the most significant in the keyboard literature |
T/F Beethoven’s solo piano sonatas are some of his most important works. |
True |
T/F A scherzo is a quick-paced dance. |
True |
Which of the following correctly describe the first movement of Beethoven’s Moonlight Sonata? |
in an expressive minor key, continuous triplet pattern in accompaniment |
T/F Beethoven, in his Moonlight Sonata, follows typical formal molds in all of the movements. |
False |
Classical sonatas were often written for one solo____, usually the ____. |
instrument..piano |
Order of Beethoven’s Moonlight Sonata |
intro, strophe 1, middle section, strophe 2, coda |
Classical sonatas were set either for solo instrument (usually the ____) or for ____. |
piano…duos |
In the second movement of his Moonlight Sonata, Beethoven uses a variant of the minuet called what? |
scherzo |
Which of the following describes the form of the second movement of Beethoven’s Moonlight Sonata? |
gentle scherzo |
T/F Beethoven gave the nickname Moonlight to his own piano sonata. |
False |
The sonata in the Classical era was an important genre for amateur musicians playing which instrument? |
piano |
Which condition profoundly affected Beethoven’s work as a composer? |
deafness |
Which of the following is NOT true of Beethoven’s symphonies? |
Since they were written, they have rarely been performed. |
How many symphonies did Beethoven write? |
nine |
Which of the following statements describe the third movement (Scherzo, Allegro) of Beethoven’s Fifth Symphony? |
It is in scherzo-trio-scherzo form, it is in triple meter |
All four of the movements in Beethoven’s Fifth Symphony are based on one |
motive |
The text of Schiller’s____"Ode to Joy" is an expression of universal brotherhood and was inspired by the contemporary____. |
poem..French Revolution |
The last movement of Beethoven’s Symphony No. 9 features a choral setting of a poem called "____" |
"Ode to Joy" |
T/F Beethoven admired Napoleon until the latter declared himself emperor. |
True |
Which of the following are found in Beethoven’s Fifth Symphony? |
the unification of all the movements with a single motivic idea, theme and variations |
T/F Beethoven’s music is rooted in the Classical tradition but pushes the limits of that tradition. |
True |
T/F The various movements of Beethoven’s Fifth Symphony are unified by the opening motive. |
True |
T/F Beethoven’s Fifth Symphony opens and closes in the key of C minor. |
False |
Which of Beethoven’s symphonies was originally dedicated to Napoleon? |
the third |
Which of Beethoven’s symphonies includes a chorus? |
the ninth |
The second movement of Beethoven’s Fifth Symphony is in what form? |
theme and variations |
Which movement of Beethoven’s Fifth Symphony is in theme-and-variations form? |
second |
T/F Beethoven completely abandoned formal considerations in his music. |
False |
In Donna Elvira’s aria, in which she sings with Don Giovanni and Leporello ("Ah, chi mi dice mai") in Act I, scene 2, how does Mozart musically emphasize her anger? |
quick tempo, sudden dynamic shifts |
T/F At the beginning of the eighteenth century, serious opera was the most prevalent style. |
True |
Opera ____ presented lively, down-to-earth ____ rather than the remote concerns of gods and ____ heroes. |
buffa….plots….mythological |
T/F Opera seria in the eighteenth century often featured stories drawn from classical antiquity. |
True |
Which voice part sings the role of Don Giovanni in Mozart’s opera? |
baritone |
In Mozart’s comic operas, he held ____ up to a mirror and emphasized the problems of separating people based on ____ and gender. |
society..class |
Which of the following describe the opera Don Giovanni? |
premiered in 1787, libretto by Lorenzo da Ponte |
Which terms correctly describe Mozart’s Don Giovanni? |
opera buffa, opera seria |
Which character ultimately brings Don Giovanni to his justly deserved fate? |
the Commendatore |
The type of Classical opera that continued a tradition of idealized characters and plots was called ____. |
opera seria |
Who was Lorenzo da Ponte? |
the librettist who adapted the Don Juan legend into Mozart’s opera |
Don Giovanni character: bass |
the Commendatore, Leporello |
Don Giovanni character: baritone |
Don Giovanni |
Don Giovanni character: soprano |
Donna Elvira, Donna Anna |
T/F Mozart’s Don Giovanni does not have any comic opera elements. |
False |
While serious opera was almost invariably in the ____ language, comic opera was generally in the local language of the audience (this type of language is also known as the____). |
Italian..vernacular |
T/F In the Catalogue Aria, Leporello assures Donna Elvira that indeed she is Don Giovanni’s one true love. |
False |
Who of the following characters did Don Giovanni desire? |
Donna Anna, Donna Elvira, Zerlina |
The Catalogue Aria in Mozart’s opera Don Giovanni catalogs what, exactly? |
a list of women in several countries whom Don Giovanni has seduced |
T/F In the Classical era, both serious opera and comic opera were popular. |
True |
Which voice part sings the role of Don Giovanni’s servant, Leporello, in Mozart’s opera? |
Bass |
Mozart: Confutatis, from Requiem |
Mood can be expressed as alternating dramatic and serene. The performing forces begin with men’s voices and orchestra, followed by women’s voice and orchestra. |
Classical |
Balanced, symmetrical melodies. Diatonic harmonies |
Romantic |
Chromatic harmonies. Expansive, wide ranging melodies |
Chopin: Prelude, Op. 28, No. 2 |
Minor key: tonality Dark mood, in low range: expression |
Mozart died while writing which piece? |
Requiem Mass |
For which of the following events was Mozart’s Requiem chosen because of its expressive power? |
JFK’s funeral and September 11 attack anniversary |
T/F Mozart’s Requiem was left unfinished at his death. |
True |
In terms of expression, emotional balance and restraint is typical of which style? |
Classical |
Which of the following describe the Dies irae from Mozart’s Requiem? |
text depicts a vision of Judgment Day and written for soloists, chorus, and orchestra |
Interest in the bizarre and morbid characterizes which era? |
Romantic |
Mozart: Symphony No. 35, II |
graceful, courtly: melody major scale: harmony |
In which language is the Dies irae from Mozart’s Requiem written? |
Latin |
Which of the following describe the Dies irae from Mozart’s Requiem? |
It begins with a chorus, it is in Latin, it is in a strong duple meter |
Who completed the unfinished portions of Mozart’s Requiem? |
Franz Xaver Sussmayr |
Verdi: Dies irae, from Requiem |
begin with a huge orchestra and full soprano-alto-tenor-bass (SATB) choir: performing forces dramatic: mood |
Which voice type did Mozart NOT select as one of the soloists in his Requiem? |
baritone |
Grieg: Ase’s Death, from Peer Gynt |
strings only: performing forces minor key: tonality |
The "Tuba mirum" verse of the Dies irae mentions a trumpet, but to which instrument did Mozart give the solo? |
trombone |
Beethoven: Sonata No. 8 (Pathetique), II |
lyrical, long phrases: melody gentle mood, middle range: expression consonant: harmony major key: tonality |
T/F Mozart’s Requiem is a sacred piece of music. |
True |
Which of the following verses are found in the Dies irae from Mozart’s Requiem? |
Dies irae, Tuba mirum, Rex tremendae |
The dramatic Dies irae section of Mozart’s Requiem provides a vision of the Day of ____. |
Wrath |
T/F Mozart wrote the text for the Dies irae . |
False |
In a comparison of the Classical and Romantic styles, Classical melodies were characterized by ____, while Romantic melodies were characterized by ____. |
symmetry….chromaticism |
T/F Mozart’s Requiem is an example of a Classical-era oratorio. |
False |
Grieg: Ase’s Death, from Peer Gynt |
expressive and mournful |
T/F The last part of the Requiem that Mozart wrote was the Lacrimosa. |
True |
In the Classical era, the main genres of sacred choral music were the ____ and the oratorio. A ____ is a musical setting of the Mass for the Dead. |
Mass….Requiem |
Music Appreciation Exam 4
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