One of the greatest of all jazz improvisers and towering figure among bebop musicians was the saxophonist |
Charlie Parker |
The Jazz style called swing flourished in America from |
1935-1945. |
The most important elements in Anton Webern’s are texture, tone color, and |
dynamics |
Charles Ive’s father was a(n) |
bandmaster |
Early rock grew mainly out of _____, a dance of African Americans that fused blues, jazz, and gospel styles. |
rhythm and blues |
Songs in musical comedies are usually in _____form. |
32-bar AABA |
A variety show with songs, comedy, juggling, arcobats, and animal acts, but no plot, is called |
Vaudeville |
The "king of swing" is generally acknowledged to have been |
Benny Goodman |
The composer, conductor, and pianist who began his spectacular career as substitute conductor of the New York Philharmonic on only a few hour’s notice was |
Leonard Bernstein. |
One of the leading figures in the history of jazz, and the composer of such compositions as Black, Brown, and Beige, Sophisticated Lady, and Harlem Air Shaft, is |
Duke Ellington |
Ostinato refers to a |
motive of phrase that is repeated persistently at the same pitch throughout a section |
Charles Ive’s contains elements of |
hymns, ragtime, village bands, barn songs, patriotic songs, and church choirs |
The typical swing band had about fifteen musicians, grouped into three sections: |
Saxophones, brasses, and rhythm. |
The introductory section of a musical comedy song is called the |
Verse |
Many of Debussy’s songs are set to poems by the symbolist poet |
Paul Verlaine |
The ordering of the twelve chromatic tones in a twelve-tone composition is called a |
Series, tone row, and set. |
The poetic and musical form of blues was popularized around 1910 through the publication of Memphis Blues and St. Louis Blues composed by |
William C. Handy. |
The rhythm section of a jazz ensemble usually does not include the |
vibraphone |
The most famous blues singer of the 1920’s, known as the "empress of the blues" was |
Bessie Smith |
The rhythm section of a swing band normally consisted of |
piano, percussion, guitar, and bass |
In contrast to opera, the American musical tends to |
contain more spoken dialogue, use simpler melodies and harmonies, use simpler forms |
Around 1940, John Cage invented the prepared piano, a(n) |
grand piano whose sound is altered by objects such as a bolts, screws, rubber bands, pieces of felt, paper, and plastic inserted between the strings of some of the keys |
A scale made of six different notes each a whole step away from the next is a ____ scale. |
WHOLE-TONE |
John Cage’s best-known work for prepared piano, and one of his most widely performed works, is |
Sonatas and Interludes |
Rock has been defined as |
vocal music with a hard driving beat often featuring electric guitar accompaniment and heavily amplified sound |
A method of singing used by males to reach notes higher than their normal range is called |
Falsetto |
Bebop differed from earlier jazz forms in that it |
Was meant for attentive listening, not dancing. |
The major center of jazz from about 1900 to 1917 was |
New Orleans |
The harmonic progressions of rock are usually |
Quite simple. |
Short repeated melodic phrases frequently used during the swing era are called |
Riffs. |
The dominant dance of the 1970’s was |
Disco |
New Orleans style Dixieland flourished in the United States |
from 1900 to 1917 |
Applachian Spring originated as a |
ballet score |
The "king of ragtime" is acknowledged to be |
Scott Joplin |
Bebop, as a musical style, developed in the |
Early 1940s. |
Serialism is a compositional technique in which |
a series of rhythms, dynamics, or tone colors serve as a unifying idea |
Vaudeville is |
a variety show with songs, comedy, juggling, acrobatics, and animal acts without a plot |
During most of his lifetime, Ive’s musical compositions |
accumulated in the barn of his Connecticut farm |
American jazz, with its syncopated rhythms and improvisational quality, had an influence on |
Igor Stravinsky, Cluade Debussy, Aaron Copland, and George Gershwin |
Duke Ellington was an important figure in |
Swing. |
Skravinsky’s life took a sudden turn in 1909, when he met the director of the Russian Ballet, |
Sergei Diaghilev |
Impressionism as a movement originated in |
France |
A piano is often used in twentieth- century orchestral music to |
add a percussive edge |
Bela Bartok’s principal performing medium was |
The piano. |
Ragtime is |
a style of composed piano music, performed at a moderate march tempo, generally in duple meter (all of the above) |
Rock is based on a powerful beat in quadruple meter with strong accents on _____ of each bar. |
second and fourth beats |
A typical rock group consists of |
Two electric guitars, electric bass, percussion and electric keyboard |
Generally, music comedy is in ___ act(s). |
two |
The glissando, a technique widely used in the twentieth century, is |
A rapid slide up or down a scale. |
Aaron Copeland was born in |
Brooklyn, New York |
Schoenberg’s personality inspired and loyalty among his students, including Alban Berg and |
Anton Weburn |
William Grant Still’s opera dealing with the Haitian slave rebellion is |
Troubled Island |
Expressionist music stresses |
fragmentation, harsh dissonance, and unusual instrumental effects |
The best-known American ensemble created in the 1930s by a radio network to broadcast live music was the |
NBC Symphony Orchestra |
The typical form of a swing composition is |
32-bar AABA |
Ragtime flourished in the United States |
from the 1890s to about 1915 |
Neoclassical compositions are characterized by |
forms and stylistic features of earlier periods |
Igor Stravinsky’s Rite of Spring is scored for |
an enormous orchestra |
Blues music is usually written in ____ time. |
4/4 |
Rhapsody in Blue opens with |
a solo clarinet |
Minimalist music is characterized by |
a steady pulse, clear tonality, and insistent repetition of short melodic patterns |
A dramatic turning point in Debussy’s career came in 1902 when |
his opera Pelleas et Melisande was premiered |
A type of basic rock popular in the 1980s characterized by sexually explicit lyrics, bizarre costumes, and tremendous volume, is known as |
heavy metal |
Scat singing, which Louis Armstrong introduced into jazz, is |
vocalization of a melodic line with nonsense syllables |
The main section of musical comedy song is called the |
chorus |
Bartok’s _______ are widely thought to be the finest since those of Ludwig van Beethovan |
string quartets |
The expressionist movement was largely centered in |
Germany and Austria |
Harlem Renaissance was the name |
sometimes given to a flowering of African American culture during the years 1917 – 1935 |
Leonard Bernstein was a well-known |
author-lecturer, conductor, and composer of orchestal and vocal works |
The empress of the blues was |
Bessie Smith |
The melodic instruments, or cornet, clarinet, and trombone, of a Dixieland band were known as the |
front line |
Porgy and Bess is an |
opera |
The front line of a Dixieland group included |
cornet, clarinet, and trombone |
William S. Gilbert and Arthur Sullivan were the writers of |
The Mikado |
Duke Ellington was perhaps the most important composer, arranger, and conductor of the ____ era. |
Swing |
The backbone of a jazz ensemble is its |
rhythm section |
Minimalism as an artistic movement was a |
reaction against the complexity of serialism and the randomness of chance music |
Schoeberg’s teacher was |
himself |
Two notable blues compositions are Memphis Blues and St. Louis Blues, by |
William C. Handy |
One of the most important solo instruments of the swing era was the |
saxophone |
The Mikado, widely performed in the United States around the turn of the century, was written by |
W.S. Gilbert and Arthur Sullivan |
A golden era of American musical theater was created from about |
1920 – 1960 |
The first opera created for television was Gian-Carlo Menotti’s |
Amahl and the Night Visitors |
George Gershwin grew up in |
New York, New York |
Bela Bartok was a leading authority on _____ music |
peasant |
An African American dance music that fused blues, jazz, and gospel styles known as |
rhythm and blues |
William Grant Still |
played the violin in the university string quartet while a college student |
In jazz, each statement of the basic harmonic pattern or melody is called a |
chorus |
Schoenberg developed an unusual style of vocal performance, halfway between speaking and singing, called |
Sprechstimme |
A kind of rhythmic talking accompanied by a sick jockey who manipulates recordings on tow turntables to create a collage of rhythmic effects is known as |
rap |
Claude Debussy’s most famous orchestral work was inspired by a poem by |
Stephane Mallarme |
A style of rock music that sprang from the political and concerns in the West Indies is called |
reggae |
The Gershwin song that became a tremendous hit in 1920 was |
Swanee |
William Grant Still’s Afro-American Symphony |
uses a blue theme in the first movement which reappears as a unifying thread in various transformations in the tree later movements |
The Beatles’s recording _____ can be considered a unified song cycle |
Sgt. Pepper’s Lonely Hearts Club Band |
The Beatles’s influence on American rock music may be seen through later performer’s use of |
new electronic and instrumental sounds, unconventional chord progressions, and classical and nonwestern instruments |
Igor Stravinsky dramatically changed his style in the 1950s to favor |
the twelve-tone system |
George Gershwin’s first piano teacher was |
himself |
In 1921 Aaron Copland began a three-year period of study in |
France |
The leading figures in the free jazz movement were |
John Coltrane and Ornette Coleman |
Cool jazz emerged |
during the late 1940s and early 50s. |
Music Appreciation contemporary-jazz period
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