Which of the following does NOT characterize secular music-making in the Renaissance? |
women were discouraged from performing music in the home |
The expressive device that Renaissance composes used to pictorialize words musically is called: |
word-painting |
Which of the following was the most important secular genre of the sixteenth century? |
the madrigal |
Where was the madrigal first developed? |
Italy |
The vivid depiction of a text through music, known as word-painting, is a hallmark of the: |
madrigal |
Why are the madrigals of Arcadelt so important? |
they brought a new level of expression to the madrigal |
Madrigals with simper and more accessible texts were especially favored in: |
England |
Which of the following best describes the character of Farmer’s Fair Phyllis? |
pastoral and light |
Who invented the printing press? |
Johannes Gutenberg |
The invention of the printing press allowed: |
books to become available to the middle class |
(T/F) Only professional musicians performed secular music during the Renaissance |
false |
(T/F) During the Renaissance, the study of a musical instrument was considered improper for ladies |
false |
(T/F) The two most important genres of Renaissance secular music were the chanson and the madrigal |
true |
(T/F) Italian madrigalists set words such as weeping, trembling, and dying with great expression. |
true |
(T/F) The text of Arcadelt’s madrigal II bianco e dolce cigno has levels of meanings, some of which are erotic |
true |
(T/F) England adopted the Italian madrigal and developed it into a native form |
true |
(T/F) Unlike madrigals, Fair Phyllis has no word-painting |
false |
(T/F) The printing press had little impact on secular music |
false |
Which of the following was a characteristic of medieval art abandoned in the Renaissance? |
space organized in a succession of planes |
Which of the following characterizes humanism? |
thinking centered on human issues and individuality, inspiration from the ancient cultures of Greece and Rome, independence from tradition and religion |
Which genre of vocal music was NOT used in Renaissance church services? |
the chanson |
Why does Renaissance music sound different from medieval music? |
it has fuller harmonies, it has smoothly gliding lines, it is performed a cappella |
What best describes the texture of ideal Renaissance sacred music? |
imitative |
The fixed melody used as a basis for elaborate polyphonic writing in the Renaissance was called: |
a cantus firmus |
What is a cactus firms? |
a fragment of Gregorian chant or a secular tune used as the foundation of a polyphonic Mass |
Which early Renaissance composer exerted influence on generation of composers who followed? |
Josquin des Prez |
Josquin’s Ave Maria . . . virgo serena is an example of the: |
motet |
The text of Ave Maria . . . virgo serena is: |
in praise of the Virgin Mary |
Wha is the musical basis of Joaquin’s Ave Maria . . . virgo serena? |
a Gregorian chant in the top voice, then a freely composed melody |
(T/F) Medieval artists preferred to depict their subjects in profile rather than facing front |
false |
(T/F) Humanism was inspired by the ancient cultures of Greece and Rome |
true |
(T/F) The Renaissance motet is a sacred genre with a single Latin text |
true |
(T/F) The preeminent composers of motets in the early Renaissance were from Italy |
true |
(T/F) Joaquin’s career centered exclusively in his native France |
false |
(T/F) Joaquin did not use preexisting melodies in his sacred works |
false |
The Roman Catholic Church service that symbolically reenacts the sacrifice of Christ is: |
the Mass |
The portion of the Mass that remains the same in every celebration of the service is called: |
the Ordinary |
The portion of the Mass that changes from day to day, depending on the feast celebrated, is called: |
the Proper |
What was the primary language of the Mass? |
Latin |
Which of the following are the movements of the Ordinary of the Mass? |
Kyrie, Gloria, Credo, Sanctus, Agnus Dei |
The first session of the Ordinary of the Mass, a plea for mercy, is called the: |
Kyrie |
Which section of the Ordinary of the Mass is a confession of faith? |
the Credo |
Which of the following was a leader in the Protestant Reformation? |
Martin Luther |
In the churches of Luther and Calvin, the musical emphasis was on: |
the inclusion of instruments in the service |
After the Protestant Reformation of the early sixteenth century, the Roman Catholic Church responded with a movement to recapture the loyalty of its people. This was known as: |
the Counter-Reformation |
Which of the following was NOT a recommendation of the Council of Trent? |
using more musical instruments to enhance church music |
Which composer responded to the reforms of the Council of Trent in an exemplary fashion? |
Giovanni Pierluigi da Palestrina |
Which of the following best describes the intended performance practice for the Pope Marcellus Mass? |
It would have been sung by an all-male choir with boy sopranos or male falsettos |
Which of the following best describes the texture of the Pope Marcellus Mass? |
six-voice polyphony |
(T/F) The texts of the Mass that change for each service make up the Ordinary |
false |
(T/F) The Introit is the first movement of the Ordinary of the Mass |
false |
(T/F) The text for the final portion of the Ordinary, the Agnus Dei, is divided into three parts |
true |
(T/F) Martin Luther launched the Reformation movement |
true |
(T/F) The reform movement in the Catholic church brough about by the Protestant Reformation was called the Counter-Reformation |
true |
(T/F) The Council of Trent took place in the mid-sixteenth century |
true |
(T/F) The dense counterpoint in the Pope Marcellus Mass were sung by boy sopranos or adult males with high voices |
true |
Medieval instruments can be classified as bas or haut, meaning: |
soft or loud |
The ______ is an end-blown flute with a breathy tone |
recorder |
Early instruments used for outdoor performances, such as the shawm and the sackbut, were categorized as: |
loud |
Which of the following would be considered an appropriate outdoor instrument? |
the shawm |
The medieval ancestor of the modern trombone is the: |
sackbut |
Which of the following was a lively circle or line dance, often performed outdoors? |
ronde |
Tielman Susato published music in which major European center? |
Antwerp |
Which of the following does NOT characterize the dances that Susato published? |
irregular phrase lengths |
(T/F) Early instrumental music largely depended on improvisation |
true |
(T/F) Bas instruments wer used frequently for outdoor occasions during the Middle Ages |
false |
(T/F) The rebec was a type of wind instrument |
false |
(T/F) The sixteenth century saw a blossoming of instrumental dance music |
true |
(T/F) Instrumental music of the sixteenth century often did not specify its instrumentation |
true |
(T/F) Stately indoor occasions most often called for soft instruments, such as recorders and strings |
true |
(T/F) The dance music that Susato published is monophonic |
false |
(T/F) The dance music of Susato appeared in print and hence was not suitable for improvisation |
false |
During the seventeenth century, women who desired a public voice through music often joined a: |
convent |
Which of the following was a reason that a woman would join a convent during the seventeenth century? |
to avoid an unwanted marriage, to have an outlet for musical talent, to seek asylum after being widowed |
The canticle of Mary is generally known as the: |
Magnificat |
During which service does the Magnificat occur? |
Vespers |
What service did Chiara Margarita Cozzolani provide for the convent of St. Radegonda? |
composer |
Which of the following is a type of music NOT composed by Chiara Margarita Cozzolani? |
the secular cantata |
The dramatic and mystical qualities of Cozzolani’s setting of the Magnificat are similar to those of what other significant artwork? |
Bernini’s Ecstasy of St. Teresa |
Of the following, which characterizes Cozzolani’s music for the Magnificat? |
expressive and rich in word-painting |
What are the performing forces for Cozzalani’s Magnificat? |
two choirs, two soprano soloists, and organ and strings |
The prayer of praise at the end of the Magnificat is called the: |
doxology |
(T/F) Creative voices from groups excluded from equal opportunity seldom have any emotional impact |
false |
(T/F) Women who made a name for themselves as professional musicians were often viewed as having low morals |
true |
(T/F) The convent of St. Radegonda in Milan was famous for its music-making |
true |
(T/F) The Catholic church supported the performances of nuns in public and their use of polyphony |
false |
(T/F) In convents, men frequently joined the nuns’ choir in order to perform the bass parts |
false |
(T/F) Although coming from the family of a wealthy Milanese merchant, Chiara Margarita Cozzolani entered a convent and professed her final vows at age eighteen |
true |
(T/F) In Cozzolani’s Magnificat, the choirs often sing in homophony |
true |
(T/F) Cozzolani wrote the text of her Magnificat |
false |
Music Appreciation ch. 16-20
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