The vocal style in opera that imitates the natural infliction of speech is called: |
recitative |
It was through the musical innovations of the ______________ that opera was born |
Florentine Camerata |
The text of an opera is called: |
the libretto |
Who is best viewed as the first master of opera? |
Monteverdi |
A type of English entertainment combining music, poetry, and dance was called: |
masque |
The greatest native-born English composer of the Baroque was: |
Henry Purcell |
Dido’s Lament from Purcell’s opera Dido Aeneas is composed: |
over a ground bass |
The sacred cantata was an integral part of the: |
Lutheran church service |
Which of the following does NOT describe a chorale? |
chorale tunes were originally conceived for polyphonic settings |
During his lifetime, Bach held the position of: |
all of the above |
What is the form of the chorale tune Wachet auf? |
bar form (A-A-B) |
George Frideric Handel was considered a master of: |
the oratorio |
When Handel arrived in London, he established his fame by composing: |
operas |
Late in life, Handel turned his efforts from the opera to: |
the oratorio |
Which of the following is Handel’s most famous oratorio, frequently performed today? |
Messiah |
Why is Messiah so popular in England and America today? |
all of the above |
"Rejoice greatly, O daughter of Zion" from Messiah is an example of: |
a da capo aria |
The famous choral climax in Part II of Handel’s Messiah is: |
the "Hallelujah Chorus" |
Of the following, which is NOT a major difference between Baroque and modern violins? |
the general shape of the instrument |
Which of the following dance types was NOT standard in a Baroque suite? |
tarantella |
A gigue is best described as: |
a lively sextuple-meter dance |
What is the form of each individual movement is a suite? |
binary |
The concept of the suite was applied to: |
all of the above |
The form of the rondeau is: |
A-B-A-C-A |
The approximate dates of the Baroque period are: |
1600-1750 |
John Milton’s Paradise Lost is an epic poem expressing the views of: |
Protestants |
The Baroque period witnessed a new style of music which featured a single vocal melody with accompaniment. This was know as: |
monody |
Which two instruments would most likely have played the basso continuo in the Baroque era? |
cello and harpsichord |
The Baroque technique of placing numerals, indicating the harmony required, above or below the bass notes is called: |
figured bass |
A system of slightly adjusting the tuning of intervals within the octave, thus making it possible to play is called: |
equal temperament |
Which of the following best describes the relentless beat and regular accent of later Baroque music? |
vigorous rhythm |
Which is the doctrine of the affections? |
the codification of basic emotional states aroused by music |
The artificially created male soprano or alto who dominated opera was known as: |
the castrato |
The Baroque performance practice where musicians embellish melodies was called: |
improvisatation |
Women’s roles in Baroque music: |
expanded into professional performance careers, including as opera singers |
Recitative that is accompanied by continuo instruments is called secco.(True/False) |
true |
The da capo aria is a set form and would have no improvisation.(True/False) |
false |
Early operas, such as Orfeo, were simple productions for intimate gatherings.(True/False) |
false |
Dido’s Lament from Purcell’s opera Dido Aeneas is a da capo aria.(True/False) |
false |
The aria "When I am laid to Earth" is unified by a descending chromatic scale ground bass.(True/False) |
true |
The acceptance of Barbara Strozzi in intellectual and musical circles was typically for women in the Baroque era.(True/False) |
false |
A chorale is a hymn tune associated with German Protestantism.(True/False) |
true |
During his lifetime, Johann Sebastian Bach was primarily known as a great organist.(True/False) |
true |
All movements of Bach’s Cantata No. 140 make use of the chorale tune Wachet auf.(True/False) |
false |
The role of the chorus was especially important in the oratorio.(True/False) |
true |
The Baroque period was the first in which instrumental music was comparable in importance to vocal music.(True/False) |
true |
Baroque composers, like their Renaissance counterparts, generally did not specify instrumentation. (True/False) |
false |
Valves enabled Baroque trumpet players to become virtuosos.(True/False) |
false |
Today, Baroque music is played exclusively on modern instruments.(True/False) |
false |
The Alla hornpipe from Handel’s Water Music is in A-B-A form.(True/False) |
true |
The courts of Louis XIV and Louis XV were known for their conservative austerity.(True/False) |
false |
Mouret’s Rondeau was most likely intended for an outdoor theater concert.(True/False) |
false |
Religion remained a driving force behind power struggles in the Baroque era.(True/False) |
true |
The basso continuo was performed only by a chordal instrument.(True/False) |
false |
While playing the basso continuo, musicians in the Baroque era improvised on figured bass.(True/False) |
true |
Baroque composers used dissonance for emotional intensity and color.(True/False) |
true |
A characteristic of Baroque music is its constant fluctuation of dynamics.(True/False) |
false |
In Baroque instrumental music, each piece (or movement) reflected a single mood, or affection. (True/False) |
true |
Improvisation played little or no part in Baroque musical practice.(True/False) |
false |
During the Baroque era, women began entering the ranks of professional musicians, both as composers and as performers.(True/False) |
true |
Compare the genres of opera and oratorio, using examples of each to support your answer. |
You do you |
Describe the variety of dance movements that might be found in a Baroque suite. |
You do you |
The instrumental form based on the contrast of two dissimilar masses of sound is called a: |
concerto |
The typical solo concerto has _____ movements |
three |
Vivaldi was known as "the red priest" for: |
the color of his hair |
Vivaldi lived and worked in: |
Venice |
Which of the following is a well-known set of concertos by Vivaldi? |
The Four Seasons |
The solo instrument in Spring, from The Four Seasons, is: |
the violin |
The opening movement of Spring, from The Four Seasons, features: |
ritornello form |
The slow movement of Spring, from The Four Seasons, Vivaldi evokes a dog barking through: |
an ostinato form |
Who composed the Brandenburg Concertos? |
Bach |
The accompanying group in a concerto grosso is called: |
the ripieno |
The solo group in a concerto grosso is called: |
the concertino |
Which of the following was NOT an important keyboard instrument in the Baroque? |
the piano |
The harpsichord is different from the piano because: |
all of the above |
A chorale prelude: |
all of the above |
The _____ is a keyboard form based on the principle of voices imitating each other. |
fugue |
In a fugue, the areas of relaxation where the subject is not heard are called: |
episodes |
After the fugue subject is stated, the second entrance of the subject is called the: |
answer |
Of the following, which is NOT a contrapuntal device that alters the original theme? |
prelude |
In a fugue, the technique of stating the theme in faster rhythmic values is called: |
diminution |
Inn the field of keyboard music, Bach’s most important collection was: |
The Well-Tempered Clavier |
How many preludes and fugues are contained in the two Well-Tempered Clavier volumes? |
48 |
A great French clavecinist and Rococo composer of the mid-eighteenth century was: |
Francois Couperin |
The Beggar’s opera was first presented in: |
London |
The Beggar’s opera was written by: |
Gay and Pepusch |
Opera buffa is comic opera from: |
Italy |
The solo concerto is written for a solo instrument with a continuo accompaniment. (True/False) |
false |
Vivaldi’s solo concertos typically had four movements. (True/False) |
false |
The strings of a harpsichord are plucked by quills. (True/False) |
true |
The harpsichord is incapable of crescendos and diminuendos. (True/False) |
true |
The prelude originated in improvisation on keyboard instruments. (True/False) |
true |
A fugue is a contrapuntal composition in which a single subject is the focal point, thus unifying the work. (True/False) |
true |
A fugue is a form exclusively for solo keyboard performance. (True/False) |
false |
At the beginning of a fugue, the countersubject is stated alone. (True/False) |
false |
Bach’s The Art of Fugue was scored for strings. (True/False) |
false |
The Beggar’s Opera had little impact on the development of opera in the eighteenth century. (True/False) |
false |
How did opera change in the early eighteenth century? |
You do you |
Music Appreciation (Baroque)
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