Which of the following describes dissonance? |
it played a large role in twentieth-century music |
Which of the following does NOT characterize the musical language of Expressionism? |
extended passages of consonance |
Music that rejects the framework of key is described as |
atonal |
Which of the following early-twentieth-century composers moved to the United States and taught composition at the University of California, Los Angeles? |
Schoenberg |
Alban Berg and Anton Webern were students of |
Arnold Schoenberg |
With which period in Schoenberg’s career is Pierrot lunaire associated? |
the atonal-expressionist phase |
Schoenberg created a new style in which vocal melodies were spoken rather than sung with exact pitches and rhythms. This was known as |
Sprechstimme |
Pierrot lunaire is based on a cycle of poems written by |
Giraud |
How many songs are in Pierrot lunaire? |
twenty-one |
What accompanies the voice in Pierrot lunaire? |
a chamber group |
Which of the following does NOT characterize The Moonfleckfrom Schoenberg’s Pierrot lunaire? |
a smooth, lyric melody |
Stravinsky immigrated to ________ at the onset of World War II |
the United States |
Which of the following musical elements in The Rite of Springcould be considered the most innovative? |
unpredictable rhythms and meters |
In her compositions, Lili Boulanger focused on |
choral and chamber music |
What mood opens and closes Boulanger’s Psalm 24? |
triumph |
Nadia Boulanger was an extraordinarily gifted |
teacher |
Which of the following was NOT a member of the so-called Second Viennese School of composition? |
Eric Satie |
Which composer was a disciple of Schoenberg and is best known for his operas Wozzeck and Lulu? |
Berg |
Berg’s opera Wozzeck is based on a play by |
Buchner |
Berg’s opera Wozzeck centers on |
a soldier’s obsession with unhappy love |
The final, heartbreaking scene of Berg’s Wozzeck concludes with |
the son of Marie and Wozzeck, alone |
Which of the following is NOT a musical trait of African origin? |
major-minor tonality |
Which region of the United States was the birthplace of a unique style of blues primarily sung by males? |
Mississippi Delta |
Which American city is considered the birthplace of jazz? |
New Orleans |
Which of the following is NOT true of New Orleans jazz? |
It had no set forms or harmonic progressions |
Louis Armstrong was also known as |
Satchmo |
Louis Armstrong’s instrument-like approach to singing is called |
scat-singing |
Billie Holiday was one of the first African American singers to |
break the color barrier by recording and performing with white musicians |
Billie Holiday’s song Billie’s Blues is in ________ form |
twelve-bar blues |
Which American jazz composer was also a pianist and a master of big-band orchestration? |
Duke Ellington |
What kind of jazz is Duke Ellington known for? |
big band |
Duke Ellington’s great musical collaborator in the 1940s was |
Billy Strayhorn |
Take the A Train is a song that refers to |
a New York City subway line |
What was the trademark of bebop? |
a two-note phrase |
William Grant Still composed music in all of the following genres EXCEPT |
avant-garde electronic music |
Which of the following did NOT characterize the career of George Gershwin? |
He lived a long life and was a mentor to other young composers |
Gershwin’s Summertimeis in ________ form |
strophic |
For which work was Ives awarded the Pulitzer Prize? |
Symphony No 3 |
Which of the following best describes the mood at the beginning of Copland’s Appalachian Spring? |
calm |
Section 7 of Copland’s Appalachian Springis in ________ form |
rondo |
When was Yankee Doodle composed? |
before the Revolutionary War |
The music scene in early twentieth-century Mexico was strongly influenced by |
all of the above |
During the "Aztec Renaissance," composers sought to |
suggest the character of native music |
During his career, Silvestre Revueltas was active in all of the following countries EXCEPT |
Brazil |
Revueltas’s mature compositional style features |
complex rhythms |
Son is a Spanish-language term that refers to |
a traditional song/dance of Mexico |
Revueltas’s orchestration for Sonis similar to that of |
a mariachi ensemble |
Carlos Chávez’s music attracted the attention of the American composer |
Aaron Copland |
The early twentieth-century style that sought to revive certain principles and forms of earlier music was |
neo-classicism |
The comparative study of musics of the world is called |
ethnomusicology |
Which Hungarian composer combined native folk music characteristics with main currents of European music? |
Bartok |
Béla Bartók traveled around Hungary collecting peasant songs with the composer |
Zoltan Kodaly |
The model for Bartók’s melodies can be found in |
Hungarian folk songs |
Which of the following is NOT a characteristic of Bartók’s music? |
major-minor tonality |
The "interruption" section in Bartók’s Interrupted Intermezzo represents |
the Nazis |
Which of the following is NOT a musical trait of African origin? |
… |
Music Appreciation 5
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