revolt and change |
in music, the early century was a time of |
twentieth-denture music follows the same general principles of musical structures easier periods. |
which of the following statements is NOT true? |
igor stravinsky’s The Rite of Spring |
The most famous riot in music history occurred in paris in 1913 t the performance of |
hector berloiz |
All of the following composers working in the early years of the twentieth century except |
All answers are correct |
Composers in the twentieth century drew inspiration from |
they were attracted to the unconventional rhythms, sounds, and melodic patterns |
Twentieth-century composers incorporated elements of folk and popular music within their personal styles because |
bela bartok |
a great twentieth-century composer who was also a leading scholar of the folk music of his native land was |
anton webern |
which of the following composers was not stimulated by the folklore of his native land? |
composers in the early twentieth century drew inspiration only from serious art music and their own intellect, ignoring popular and folk music. |
Which of the following statements is not true |
all answers are correct |
in twentieth century music |
a rapid slide up or down a scale |
the glissando, a technique widely used in the twentieth century, is` |
glissando |
among the unusual playing techniques that are widely used during the twentieth century is the _____, the rapid slide up or down a scale. |
all answers are correct. |
in modern music |
add a percussive edge |
A piano is often used in twentieth-century orchestral music to |
tonic-dominant harmonies |
Which of the following is not an alternative to the traditional organization of pitch used by twentieth-century composers? |
a polychord. |
The combination os two traditional chords sounding together is known as |
a chord in which the tones are a fourth apart, instead of a third |
a fourth chord is |
a tone cluster |
A chord made of tones only a half step apart is known as |
all answers are correct |
To create fresh sounds, twentieth-century composers used |
polytonality |
The technique of using two or more tonal centers at the same time is called |
atonality |
the absence of key or tonality in a musical composition is known as |
atonality. |
using all twelve tones without regard to their traditional relationship to major or minor scales, avoiding traditional chord progressions, is known as |
arnold schoenberg |
the first significant atonal pieces were composed around 1908 by |
polyrhythm |
the use of two or more contrasting and independent rhythms at the same time is known |
motive of phrase that s repeated persistently at the same pitch throughout a section. |
ostinato refers to a |
ostinato |
a motive or phrase that is repeated persistently at the same pitch throughout a section is |
1920s |
radio broadcast of live and recorded music began to reach large audiences during the |
amahl and night vistors |
the first opera created for television was the gian-carlo menotti’s |
1895 |
When did the first pairing o music and film take place? |
nadia boulanger |
one of the most important teachers of musical composition in the twentieth-century was |
france |
impressionist painting an symbolist poetry as artistic movements originated |
claude debussy |
the most important impressionist composer was |
claude monet |
the term impressionist served from a critic’s derogatory reaction to impression: sunrise, a painting by |
tiny colored patches |
when viewed closely, impressionist paintings are made up of |
atmosphere |
the impressionist painters were primarily concerned with the effect of light, color, and |
water |
the impressionist painters were particularly obsessed with portraying |
auguste renior |
which of the following is not considered a symbolist poet? |
the impressionist painters were particularly obsessed with portraying scenes of ancient french glories |
Which of the following statements is not true? |
paul verlaine |
many of debussy’s songs are set to poems by the symbolist poet |
his opera pellets at melisande was premiered |
a dramatic turning point in debussy’s career came in 1902 when |
clearly delineated forms |
which of the following characteristics is not usually associated with impressionism? |
sound free and almost improvisational |
debussy’s music tends |
a stress on tone color, atmosphere, and fluidity |
impressionism in musi is characterized by |
all answers are correct, |
in order to "drown the sense of tonality," debussy |
whole-tone |
a scale made up of six different notes each a whole step away from the next is called a _____ scale |
maurice maeterlinck |
debussy’s opera pellets at melisande is an almost word-for-word setting of the symbolist play by |
symphonies |
in which of the following areas did debussy not create masterpieces? |
stephanie mallarme |
the poem that inspired the prelude to "The afternoon of a faun" was written by |
creature who was half man, half goat |
the faun evolved in debussy’ famous composition is a |
1920-1950 |
the neoclassical movement in music roughly encompassed the years |
neoclassical composers reacted against twentieth-century harmonies and rhythms, and preferred to revive old forms and styles exactly as they were. |
which of the following statements concerning neoclassicism is not true? |
misty atmosphere |
which of the following is not characteristic of neoclassicism? |
clear polyphonic texture |
neoclassicism composers favored |
forms and stylistic features of earlier periods |
neoclassicism compositions are characterized by |
johann sebastian bach |
neoclassicism composers modeled many of their works after the compositions of |
romanticism and impressionism |
neoclassicism was a reaction against |
pablo picasso |
the painter who designed the sets for stravinsky’s pulcinelle, and who went through a phase that showed the influence of ancient greek art, was |
mikolo rimsky-korsakov |
igor stravinsky studied composition with |
sergei diaghilev |
stravinsky’s life took a sudden turn in 1909, when he met the director of the russian ballet |
ballet impresario |
sergei diaghilev was a famous |
the firebird |
the immense success of stravinsky’s 1910 ballet ______ established him as a leading young composer |
the rite of spring |
the famous riot in 1913 was caused by the first performance on stravinsky’s ballet |
all answers are correct,. |
stravinsky’s enormous influence on twentieth-century music is due to his innovations in |
pulcinella |
which of the following ballets is not from stravinksy’s russian period? |
neoclassical |
strakinsky’s second phase is generally know as |
eighteenth-century music |
during the period from about 1920-1951, stravinksy drew inspiration largely from |
anton webern |
in the 1950s, stravinsky dramatically changed his style, drawing inspiration from |
primitivism |
the deliberate evocation of primitive power through insistent rhythms and percussive sounds is known as |
primitivism. |
le sacre du printemps ( the rite of spring) is an example of |
an enormous orchestra |
igor stravinsky’s the rite of spring is an example of |
1905-1925 |
the expressionist movement in music and art flourished in the years |
expressionism |
the twentieth-century artistic movement that stressed intense, subjective emotion was called |
germany and austria |
expressionism as an artistic movement was largely centered in |
hysteria and the unconscious. |
expressionism grew out of the same intellectual climate as the freud’s studies of |
all choices are correct |
twentieth-century musical expressionism grew out of the emotional turbulence in the works of late romantics such as |
richard strauss |
one of the immediate predecessors of expressionism was the composer |
chromatic and dissonate music |
richard strauss’s operas Salome and Elektra were known for their |
perversion and murder |
the operas of richard strauss use chromaticism and dissonance to depict |
deliberate distortions |
expressionist painters, writer, and composers used_____ to assault and shock their audience. |
expressionist painters reacted against french impressionism; they often used jarring colors and grotesquely distorted shapes to explore the subconscious |
which of the following statements is not true? |
social protest |
Expressionism is an art concerned with |
claude monet |
all of the following painters may be considered part of the expressionist movement except |
conventional prettiness |
the expressionist rejected |
avoided tonality and traditional chord progressions |
expressionist composer |
himself |
schoenberg’s teacher was |
all answers are correct |
schoenberg acquired his profound knowledge of music by |
students |
alban berg d anton webern were arnold schoenberg’s |
UCLA |
when schoenberg arrived in the united states after the nazis seized power in germany, he obtained a teaching position at |
1921 |
schoenberg’s tuur periode in which he developed the twelve-tone system, began around |
sprechstimme |
An eerily expressive kind of declamation midway between song and speech, introduced during the expressionist period, is |
sprechstimme. |
schoenberg developed an unusual style of vocal performance, halfway between speaking and singing, called |
all answers are correct |
the ordering of the twelve chromatic tones in a twelve-tone composition is called |
polychord |
which of the following terms ins not used to describe the special ordering of the twelve chromatic tones in twelve-tone compositions? |
all answers are correct |
the text of A Survivor from Warsaw |
hebrew |
A survivor from warsawuse three languages: english, german, and |
typical of expressionist composers, berg scored his opera Wozzeck for a small chamber orchestra. |
Which of the following statements is not true? |
1830s |
Georg buchners play woyzeck was written in |
all answers are correct |
the vocal lines of wozzeck include |
earned a doctorate in music history from the university of veienne |
Anton webern |
"atomized" into two_ or Three_ noted fragements |
Webern’s melodic lines are |
strict polyphonic imitation |
Anton weberns twelve-tone works contain many examples of |
a chamber orchestra of eighteen soloists |
weberns five pieces for orchestra are scored for |
Music appreciation- 20th century.
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