The word baroque has at various times meant all of the following except |
Naturalistic |
Baroque painters exploited their materials to expand the potential of __________ to create totally structured worlds |
a) color b) ornament and detail c) depth d) All answers are correct.* |
Baroque style flourished in music during the period |
1600-1750 |
The two giants of baroque composition were George Frideric Handel and |
Johann Sebastian Bach |
The early baroque was characterized by |
homophonic texture |
Monteverdi, an early baroque composer, strove to create music that was |
passionate and dramatic |
The early and late baroque periods differed in that composers in the late baroque |
favored polyphonic texture |
Instrumental music became as important as vocal music for the first time in the ____________ period. |
late baroque |
A baroque musical composition usually expresses ____________within the same movement. |
one basic mood |
The baroque principle of ____________ may be temporarily suspended in vocal music when drastic changes of emotion in a text inspires corresponding changes in the music. |
unity of mood |
The compelling drive and energy in baroque music are usually provided by |
repeated rhythmic patterns |
The main keyboard instruments of the baroque period were the organ and the |
harpsichord |
The most characteristic feature of baroque music is its use of |
basso continuo |
The word movement in music normally refers to |
a piece that sounds fairly complete and independent but is part of a larger composition |
Which of the following statements is not true? |
Audiences in the baroque period were most anxious to hear old familiar favorites, and did not care for new music |
The music director of a baroque court was usually not responsible for |
publicity in reaching an audience |
Frederick the Great, king of Prussia, was a |
a) flutist. b) general. c) composer. d) All answers are correct. * |
In the baroque period, the ordinary citizen’s opportunities for hearing music usually came from the |
church |
During the baroque period, _________ were not allowed to be employed as music directors. |
women |
A type of polyphonic composition based on one main theme is a |
fugue |
The main theme of a fugue is called the |
subject |
When the subject of a fugue is presented in the dominant scale, it is called the |
answer |
An ____________ is a play, set to music, sung to orchestral accompaniment, with scenery, costumes, and action |
opera |
The text, or book, of a musical dramatic work is called the |
libretto |
A song for solo voice with orchestral accompaniment is called a/an |
aria |
____________ refers to a vocal line that imitates the rhythms and pitch fluctuations of speech. |
Recitative |
The ____________ is the person who beats time, indicates expression, cues in musicians, and controls the balance among instruments and voices. |
conductor |
An ____________ is an orchestral composition performed before the curtain rises on a dramatic work. |
overture |
Most early baroque operas were based on Greek mythology and |
ancient history |
The first opera house in Europe to offer entry to anyone with the price of admission opened in 1637 in |
Venice |
Castrati |
a) received the highest fees of any musicians. b) combined the lung power of a man with the vocal range of a woman. c) were male singers who had been castrated before puberty. d) All answers are correct. * |
In the myth of Orpheus, Orpheus goes to Hades in the hope of bringing ____________ back to life |
Eurydice |
____________ is a musical idea repeated over and over in the bass while melodies above it constantly change |
Basso ostinato |
The sonata originated in |
Italy |
Baroque trio sonatas usually involve ____________ |
Four performers |
Vivaldi spent most of his life working at an institution for orphaned and illegitimate girls in |
Venice |
Which of the following about Vivaldi’s La Primavera (Spring) from The Four Seasons is true? |
The piece is an example of program music. |
Of Bach’s twenty children, ____________ went on to become well-known composers |
Four children |
While at Leipzig, Bach |
taught organ and composition, gave recitals, and was often asked to judge the construction of organs |
Bach was recognized as the most eminent ____________ of his day |
Organist |
Bach created masterpieces in every baroque form excepT |
Opera |
Bach’s personal musical style was drawn from |
a) Italian concertos. b) French dance pieces. c) German church music. d) All answers are correct. * |
Bach achieves unity of mood in his compositions by using |
an insistent rhythmic drive. |
A two-part collection of preludes and fugues, one in each major and minor key and basic to the repertoire of keyboard players today, is Bach’s |
Well-Tempered Clavier. |
In Bach’s day, the Lutheran church service lasted about ____________ hour(s) |
Four |
The ____________ is a Lutheran congregational hymn tune. |
chorale |
The principal means of musical expression in the Lutheran service was the |
church cantata |
A large-scale composition for chorus, vocal soloists, and orchestra, usually set to a narrative biblical text, is called a(n) |
oratorio |
oratorio differs in opera in that it has no |
acting, scenery, or costumes |
Handel spent the major portion of his life in |
England |
Music 3
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