a musical idea that acts as a building block |
in musical composition, the theme is: |
literally repeating a melody at the same pitch level |
which of the following is not a type of thematic development |
motives |
a theme may be fragmented by dividing it into smaller units called: |
sequence |
repeating a motive at a higher or lower pitch level |
ostinato |
a short, repeated musical pattern |
improvisations on pre-established harmonic patterns |
of the following, which is a characteristic of a jazz performance |
music without a story or text |
of the following which best describes absolute music |
form |
in absolute music the lack of a prescribed story or text to hold the music together makes the element of ____________ especially important |
overture |
which of the following does not usually follow the general structure of a multimovement cycle |
first |
which movement is the most highly organized and most characteristic of the multimovement cycle |
two key areas |
we can best regard sonata-allegro form as a drama between |
the recapitulation |
the three main sections of sonata-allegro form are the exposition, the development, and |
a bridge |
in sonata-allegro form, a modulatory section that leads from one theme to the next is called: |
to modulate to new themes |
what is the function of the bridge in sonata-allegro form |
the second theme |
in sonata-allegro form the contrasting key is established by the statement of |
the development |
in sonata-allegro form, the section that features the most tension and drama through modulation and motivic interplay is called |
recapitulation |
the psychological climax of the sonata-allegro form appears when the tonic returns at: |
the coda |
the final section of a sonata-allegro movement, which rounds it off with a vigorous closing cadence is |
lyrical, songful melodies |
which of the following is a common characteristic of the second movement of a multimovment cycle |
all of the above |
theme and variation form often utilizes which of the following compositional techniques |
minuet and trio form |
in the classical multimovement cycle, the third movement is usually in |
A-B-A |
the overall form of a minuet and trio is best described as |
trio |
the second dance, or the middle of a minuet is called |
all of the above |
in minuet and trio section, the trio section |
ternary |
the italian words "da capo" are commonly found in _________ form |
a scherzo is faster and sometimes humorous, while minuet is slower and serious |
how does a scherzo differ from a minuet |
a rondo |
of the following, which would most likely be found as the last movement of a classical sonata or symphony |
second |
in the classical multimovement cycle which movement is most commonly in a contrasting key from the other three |
chamber music |
music for a small ensemble of two to about ten players with one player to a part |
two violins, a viola, and cello |
a string quartet consists of |
piano, violin, and cello |
a piano trio consists of |
bach |
of the following who is not a major composer of strings |
the slow movement is based on a hymn written for the emperor franz joseph |
haydn’s string quartet Op 76, No 3 was given the nickname "emperor" because |
theme and variations |
the form of the slow movement of haydn’s op 76 no 3 is |
germany |
the melody for the slow movement of haydn’s op 76 no 3 is the national anthem for |
vienna |
haydn served as a choirboy in |
prince esterhzy |
who was haydn’s principle patron |
england |
haydn enjoyed phenomenal musical success with two trips to which country |
a serenade |
mozart’s "eine kleine nachtmusik" is an example |
german for "a little night music" |
"eine kleine nachtmusik" is |
sonata-allegro |
which of the following best describes the form of the first movement of mozart’s "eine kleine nachtmusik" |
it has a march-like character |
which of the following best describes the opening of the first movement of mozart’s "eine kleine nachtmusik" |
it has an elegant, restrained melody |
which of the following best describes the romanza from mozart’s "eine kleine nachtmusik" |
the most gifted child prodigy in the history of music |
mozart is remembered today as: |
mozart |
which composer rebelled against the patronage system and struggled to achieve financial independence |
requiem mass |
mozart died while writing his |
the symphony |
the most important instrumental genre of the classical period is |
opera overture |
the classical symphony had its roots in |
three |
how many movements are typical of pre-classical symphonies |
rocket themes |
the early classical symphony is characterized by quickly ascending themes with a song rhythmic drive. these are known as |
mannheim |
quick crescendos and the four movement cycle in symphonies were developed in |
strings |
in the classical orchestra, which group of instruments serve as the ensemble’s nucleus |
30-40 |
the number of players in the classical symphony was: |
sonata-allegro form |
the first movement of a symphony is usually |
haydn |
which composer is noted for his monothematic sonata-allegro form |
ritornello |
which of the following is not a typical for the second movement of a classical symphony |
minuet and trio form |
the third movement of a classical symphony is most frequently in |
haydn |
the nickname "father of the symphony" was earned by |
london |
haydn’s "military" symphony was composed for his visit to which city |
it uses percussion instruments associated with turkish military music |
how did haydn’s "military" earn its nickname |
A-B-A’ |
what is the form of the second movement of haydn’s "military" symphony |
turkey |
janissary bands are associated with |
the french revolution |
beethoven belonged to a generation of artists that were influenced by the full impact of |
all of the above |
beethoven supported himself through |
deafness |
beethoven suffered from which of the following |
books in which he worked out his musical ideas |
beethoven’s sketchbooks were |
three |
beethoven’s career is often divided into _____ periods |
used more chromatic harmonies |
in his third compositional period, beethoven |
9 |
how many symphonies did beethoven have |
the ninth symphony |
which work by beethoven is called the "choral" symphony |
symphony no. 9 |
the "ode to joy" is the finale to beethoven’s |
schiller |
the text of "ode to joy" is written by |
four |
how many movements does beethoven’s symphony no. 5 have |
there is no break between the third and fourth movement |
what is unusual about beethoven’s symphony no. 5 |
a four-note theme |
which of the following describes the opening of beethoven’s symphony no. 5 |
theme and variations |
what is the form of the second movement of beethoven’s symphony no. 5 |
cyclical form |
using material from an earlier movement in a symphony |
the ninth symphony |
which beethoven symphony was selected to celebrate the fall of the berlin wall |
three |
how many movements are in a classical concerto |
the cadenza |
a typical feature of a concerto is a free solo passage without orchestral accompaniment called |
the piano |
the most popular solo in the classical concerto was |
a double exposition |
the first movement of a classical concerto features sonata-allegro form with |
the orchestra |
the typical first movement of a classical concerto begins with |
theme and variations |
what is the form of the last movement of mozart’s piano concert in g major k 453 |
all of the above |
which of the following characterizes maria theresa von paradis |
piano and trumpet |
which of the following was not a favored sonata instrumentation in the late eighteenth century |
32 |
how many piano sonatas did beethoven compose |
the poet rellstab shortly after the composer’s death |
beethoven’s piano sonata in c-sharp minor op 27 no. 2 was subtitled "moonlight" by |
quasi una fantasia |
beethoven gave his piano sonata in c-sharp minor op 27 no. 2 the designation |
three |
beethoven’s famous "moonlight sonata" has ____ movements |
is a modified song form |
the form of the first movement of beethoven’s piano sonata in c-sharp op 27 no. 2 |
all of the above |
the dreamy first movement of the "moonlight" sonata features |
a gentle scherzo and trio form |
the second movement of beethoven’s piano sonata in c-sharp op 27 no. 2 is |
filled with restless emotion |
the third movement of beethoven’s piano sonata in c-sharp op 27 no. 2 is |
Music 21-26
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