The term "Dark Ages" formerly referred to the time: |
between 500 and 1000 c.e. |
The two centers of power during the early Middle Ages were the church and: |
newly formed centralized governments led by kings. |
The most important patron of music in the Middle Ages was: |
the Roman Catholic Church. |
The late Middle Ages witnessed |
the building of great cathedrals. the founding of universities. the rise of the bourgeoisie. |
During the Middle Ages, the status of women: |
was raised through the concept of chivalry held by knights and idealized in music. |
_____ is traditionally associated with collecting and organizing the chants of the church. |
Pope Gregory |
What does NOT characterize Gregorian chant? |
triadic harmonies |
A setting of Gregorian chant with one note per syllable is called: |
syllabic. |
A setting of Gregorian chant with two to four notes per syllable might be considered: |
neumatic. |
Early notation suggested melodic contours using small ascending and descending signs called: |
neumes. |
The service in the Roman Catholic Church that symbolically reenacts the sacrifice of Christ is: |
the Mass. |
The portion of the Mass that remains the same in every celebration of the service is called: |
the Ordinary. |
The portion of the Mass that changes from day to day, dependent on the feast celebrated, is called: |
the Proper |
What is the primary language of the Mass? |
Latin |
Of the following, which does NOT describe life in the medieval cloister? |
center of trade and commerce |
In addition to composing music, Hildegard of Bingen is known for: |
visions that foretold the future. founding her own convent. writing religious poetry. |
Which of the following women was not only a religious leader but also a prominent figure in |
Hildegard of Bingen |
For which liturgical occasion was Hildegard’s Alleluia, O virga mediatrix sung? |
a feast day for the Virgin Mary |
Which religious figure is praised in the text of Hildegard’s Alleluia, O virga mediatrix? |
the Psalms |
Which of the following texts are important to both Jewish and Christian practices? |
the Psalms |
The singing leader in Jewish religious services |
the cantor. |
The earliest type of polyphony was: |
organum |
The Notre Dame style of polyphony, in which the tenor line was based on a preexisting chant melody and the upper voice moved freely (and more rapidly), was called: |
organum |
The early polyphonic genre that resulted from the addition of texts to all voices was called: |
motet |
Which was NOT a subject reflected in the poems of the troubadours and trouvères? |
the rebirth of Classical learning |
According to your text, which of the following would NOT be a common subject of troubadour and trouvère songs? |
work |
Music of the fourteenth century underwent a change of style that became known as: |
the Ars nova |
The French courtly love song of the Middle Ages was called the: |
Machaut |
The French courtly love song of the Middle Ages was called the: |
chanson |
Who composed the chanson Puis qu’en oubli? |
Machaut |
Which does NOT characterize Puis qu’en oubli? |
monophonic texture |
Medieval instruments can be divided into bas and haut, meaning: |
soft and loud. |
The medieval ancestor of the modern trombone is: |
the sackbut |
All of the following represent the thinking of the Renaissance EXCEPT: |
an exclusively religious orientation. |
What characterizes humanism? |
thinking centered on human issues and individuality inspiration from the ancient cultures of Greece and Rome independence from tradition and religion |
Which historical event did NOT take place in the Renaissance? |
the writing of the Magna Carta |
Which institution supported music in Renaissance society? |
the church the city and state the aristocratic courts |
The expressive device used by Renaissance composers to pictorialize words musically is called: |
word painting |
The fixed melody used as a basis for elaborate polyphonic writing in the Renaissance was called: |
word painting |
Which genre of vocal music was NOT used in Renaissance church services? |
a cantus firmus |
Which of the following make up the movements of the Ordinary of the Mass? |
chansons |
The first section of the Ordinary of the Mass, a plea for mercy in A-B-A form, is called: |
Kyrie, Gloria, Credo, Sanctus, Agnus Dei |
What is a cantus firmus? |
a fragment of Gregorian chant or a secular tune used as the foundation of a polyphonic Mass |
Which early Renaissance composer exerted a powerful influence on generations of composers who followed? |
Josquin |
Josquin’s Ave Maria . . . virgo serena is an example of: |
a motet |
What is the musical basis of Josquin’s Ave Maria . . . virgo serena? |
a Gregorian chant in the top voice, then freely composed |
After the Protestant revolt of the early sixteenth century, the Roman Catholic Church responded with a movement to recapture the loyalty of its people. This was know as: |
the Counter Reformation |
Which was NOT a recommendation of the Council of Trent? |
to use more instruments to embellish church music |
Who is the composer of the Pope Marcellus Mass? |
Palestrina |
Of the following, which does NOT describe the intended performance practice for the |
setting for a full choir |
Of the following, which best describes the texture of the Pope Marcellus Mass? |
six-voice polyphony |
Of the following, which does NOT characterize secular music making in the Renaissance? |
Women were not allowed to perform music professionally |
Instruments used for outdoor performances, such as the shawm and sackbut, are categorized as: |
loud |
Which of the following would be considered an appropriate outdoor instrument? |
the shawm |
Which of the following was a lively circle or line dance, often performed outdoors? |
ronde |
The standard form of dance pieces, whether drawn from vocal models or popular tunes, is: |
binary |
The structure known as binary form is performed: |
a-a-b-b |
Which of the following was the chief form of Italian secular music in the Renaissance? |
the madrigal |
Where was the madrigal first developed? |
Italy |
The vivid depiction of the text through music, known as word painting, is a hallmark of: |
the madrigal |
The late Renaissance madrigal came to full flower in the music of: |
Claudio Monteverdi |
The two centers of power in the Middle Ages were the feudal lord and the state. |
False |
Most of the surviving music from the early Middle Ages is secular. |
False |
Although feudal society was male dominated, the status of women was raised by prevailing attitudes of chivalry and devotion to the cult of the Virgin Mary. |
True |
The order of the church services and the structure of each service are known as the liturgy |
True |
A setting of plainchant with many notes per syllable is called syllabic. |
False |
The early Christian Church adopted the responsorial singing of Psalms from the Judaic tradition. |
True |
The Renaissance was characterized by a much increased awareness of the cultures of learned civilizations. |
True |
The early exploration of the New World took place during the Renaissance. |
True |
Renaissance painters preferred symbolism to realism. |
False |
The Renaissance saw the rise of amateur musicians and home music making. |
True |
Like the Renaissance motet, the polyphonic setting of the Mass was often based on a cantus firmus. |
True |
The reform movement in the Catholic Church brought about by the Protestant Reformation was called the Counter Reformation. |
True |
The Council of Trent took place in the mid-sixteenth century. |
True |
Secular music in the Renaissance was performed only by professional musicians. |
False |
During the Renaissance, the study of a musical instrument was considered highly improper for ladies. |
False |
The two most important genres of Renaissance secular music were the chanson and the madrigal. |
True |
The sixteenth century saw a blossoming of instrumental dance music. |
True |
Instrumental music in the sixteenth century often did not specify its instrumentation. |
True |
Stately indoor occasions most often called for soft instruments such as recorders and strings. |
True |
Music 120 Quiz 2
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