Tin Pan Alley: |
Was located in New York City, included a high concentration of songwriters, was a term that denoted a specific method of doing business in popular music |
The role of the Tin Pan Alley publisher: |
to pitch songs to artists who might consider performing them |
Regional boundaries in popular culture began to diminish in the 1920s as a result of: |
NBC radio broadcasting coast-to-coast with a national radio network |
Amos ‘n’ Andy is an example of: |
a popular comedy program broadcast on network radio |
Ralph Peer made early recordings of which type of music? |
hillbilly music |
Western music is most often associated with the: |
open prairie and cowboys |
Jimmie Rodger’s performance style was noted for his trademark: |
yodel |
Memphis was an important music scene for blues due to the: |
migration of rural blacks to urban centers |
The music of Louis Jordan and His Tympany Five is an example of: |
jump blues |
One reason rock and roll was able to attain quick and broad attention at the national level: |
the corporate transition from radio to television |
What were the independent labels in the late 1940s and early 1950s? |
Chess Records, King Records, Atlantic Records |
Big band music emphasizes: |
The band |
Frank Sinatra began his musical career as a: |
singer in big bands |
In the early 1950s, mainstream pop was produced primarily for: |
a family audience |
The Grande Ole Opry broadcast from: |
WSM in Nashville |
The intermingling of soldiers from all regions of the United States helped spread the popularity of: |
country and western |
What did the Acuff-Rose publishing firm rely on for sales of its music? |
songs recorded and performed by country artists |
Most rhythm and blues performers learned to sing: |
in church |
Chicago blues musicians: |
Bo Diddley, John Lee Hooker, Muddy Waters |
Songs released by Atlantic Records often: |
blended gospel, blues, and big band pop sounds |
Doo-wop: |
the nonsense syllables singers would use in song arrangements |
The development of bluegrass can be primarily traced to: |
Bill Monroe and His Blue Grass Boys |
Which country and western artist has been referred to as "pure country"? |
Hank Williams |
The Stagger Lee myth refers to: |
a stereotype of sexually driven black men |
Big Joe Turner’s "Shake, Rattle, and Roll" is an example of: |
hokum blues |
In addition to lyrics, Bill Haley’s version of "Shake, Rattle, and Roll" changes the: |
rhythmic feel |
Which 1950s movie featured Bill Haley’s "(We’re Gonna) Rock around the Clock"? |
Blackboard Jungle |
Alan Freed began his career in: |
Cleveland |
The Rock and Roll Party was: |
Alan Freed’s radio show in New York |
The practice of payola involved: |
creating business friendships with disc jockeys by offering gifts |
The country and western chart was originally called: |
hillbilly |
A crossover song is: |
a song or record appearing on multiple music charts |
Cross over artists: |
Chuck Berry, Fats Domino, Little Richard |
A song, "Roll Over Beethoven" celebrates: |
teenagers listening to rhythm and blues |
Little Richard’s aggressive piano playing and "wild man" image were a direct contrast to: |
Fats Domino |
The "whitening" of rhythm and blues was marked by: |
lyrics changed to dance references instead of sexual innuendos |
The success of crossover artists was significantly reduced by: |
the practice of covering rhythm and blues songs |
Who started Sun Records in Memphis? |
Sam Phillips |
Early in his career, Elvis was marketed as a: |
country and western artist |
Elvis Presley’s contract was bought by: |
RCA Records |
Elvis is often thought of as a song stylist because he: |
did not write his own songs but chose which material he would record |
Which song was the first million-selling single for Sun Records? |
"Blue Suede Shoes" |
Sun Records’ artists: |
Johnny Cash, Carl Perkins, Jerry Lee Lewis |
Gene Vincent and Eddie Cochran were particularly popular with: |
audiences in England |
Which Sun Records singer was dubbed the "female Elvis"? |
Janis Martin |
"That’ll Be the Day" was the first hit for: |
Buddy Holly |
These events affected the first wave of rock and roll: |
Little Richard became an ordained minister, Elvis received his draft notice, Buddy Holly died in a plane crash |
Who did ASCAP represent during the payola scandal? |
traditional pop song writers |
What was the focus of the congressional hearings regarding the payola scandal? |
the radio stations that played rock and roll |
Two high-profile individuals associated with the payola scandal were: |
Alan Freed and Dick Clark |
As a result of the payola scandal, Alan Freed: |
was run out of the music business |
Teen idols were marketed primarily as: |
ideal boyfriends |
Who was the first host of American Bandstand? |
Bob Horn |
The focus of American Bandstand was: |
teenagers dancing to pop music |
Which folk singer was a member of the Weavers? |
Pete Seegar |
Populist characteristics of the folk song movement: |
the folk tunes were familiar to the audience, almost anyone could play folk music, the importance of song lyrics |
Which song initiated the folk music revival in mainstream pop? |
"Tom Dooley" |
Which folk music group had a hit song with a cover of Bob Dylan’s "Blowin’ in the Wind"? |
Peter, Paul, and Mary |
The pop audience’s perception of the image and authenticity of folk music was the result of the: |
effort of the music industry to market the movement |
The role of the A&R man was to: |
organize and coordinate the professionals involved in recording |
A playlet is a: |
short song telling a humorous story |
Professional songwriters at the Brill Building: |
King and Griffin, Sedaka and Greenfield, Weil and Mann |
Girl Group examples: |
the Ronnettes, the Crystals, the Dixie Cups |
Who developed "the Wall of Sound"? |
Phil Spector |
"Be My Baby" was a hit for: |
the Ronettes |
Sam Cooke’s singing style is often referred to as: |
sweet soul |
Ben E. King had been a singer with: |
the Drifters |
Rockability pop musicians: |
Roy Orbison, the Everly Brothers, Ricky Nelson |
A distinctive vocal feature of the Everly Brothers was: |
harmonies sung at the high end of the male vocal range |
Musical influences on the Beach Boys include all of the following: |
Phil Spector, doo-wop, Chuck Berry |
An important component of the Beach Boys’ success was: |
Brian Wilson’s production and writing |
Dick Dale was known for: |
his trademark fast tremolos on the guitar |
Which event helped signal the end of the Brill Building? |
Aldon Music being sold to Colombia Pictures/Screen Gems |
Which aspects of "Leader of the Pack" indicate it is a playlet? |
It contains a story line and an epilogue. |
Examples of death disks: |
"Teen Angel", "Leader of the Pack", "Dead Man’s Curve" |
"Dead Man’s Curve" was a splatter-platter hit by: |
Jan and Dean |
History of Rock & Roll (Exam 1)
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