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How does Jackie Brenston’s "Rocket ’88’ " break with standard blues practices? |
by not repeating the lyrics of the first phrase in the second phrase |
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The "doo-wop progression" consists of a |
series of four chords |
|
covers up certain imperfections in tone |
echo |
|
creates a room sound through electronic means |
reverb |
|
the tone color of an instrument |
timbre |
|
adjusting the timbre for each instrument or voice |
EQ |
|
the "space" between stereo speakers |
sonic landscape |
|
EQ, ambience/volume, and stereo placement |
mixing board |
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one speaker for playback |
monophonic sound |
|
adjustment of ambience, EQ, stereo placement, and volume of the tracks for the final version |
mix down |
|
term used in recording to designate a recorded part |
track |
|
keeps instrumental parts distinct |
ambience |
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Which of the following best describes the relationship between the guitar and bass parts in the first verse of "Smoke on the Water" by Deep Purple? |
they are playing almost the same part |
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Which instrument rounds out harmony by playing full chords? |
rhythm guitar |
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Prior to the early 1960s, the bass guitar usually: |
was an upright bass that could be amplified if necessary |
|
The study of musical form includes |
how sections are organized to create a larger structure |
|
Buddy Holly’s "That’ll Be the Day" is an example of |
contrasting verse-chorus |
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All of the following songs use the 12-bar blues format EXCEPT |
"Can the Circle Be Unbroken" |
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The most common musical form found in Tin Pan Alley songs is |
AABA form |
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the 12-bar blues form consists o |
three groups of four phrases |
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A simple verse structure has |
no chorus |
|
A chord is a |
combination of notes played together |
|
refers to the organized pattering of the dimensions in music |
Rhythm |
|
a series of notes that repeats throughout the song |
Melody |
|
two or more notes played at the same time |
Harmony |
|
verse after verse |
Simple Verse |
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