the word baroque means |
bizarre, flamboyat, elaborately ornamented |
modern historians use the term baroque to indicate |
a particular style in the arts |
name some baroque painters |
rembrandt vermeer bernini |
baroque painters exploited their materials to expand the potential of…….to create totally structured worlds. |
color depth detail contrast |
the broque, as a stylisti period in western art muisic, emcompassed the years |
1600 to 1750 |
the two giants of baroque composition were handel and |
bach |
one of the most revolutionary periods in music history was the |
early baroque |
the early broque was characterized by |
homophonic texture |
the early baroque period spanned the years |
1600 to 1640 |
monteverdi, an early baroque composer, strove to create music that was |
passionate and had dramatic contrast |
the early and late baroque periods differed in that composers in the early baroque |
favored homophony |
the middle baroque was characterized by |
a diffusion of the style into every corner of Europe |
the middle baroque period spanned the years |
1640 to 1690 |
composers in the middle baroque phase favored writing compositions for instruments of the…..family |
violin |
by about…..,major or minor scales were the tonal basis of most compositions |
1690 |
instrumental music became as important as vocal music for te first time in the…….period |
late baroque |
the late baroque period spanned the years |
1690 to 1750 |
affections inn baroque usage refers to the |
mood/emotional states of the piece |
a baroque musical composition usually expresses…….within the same movement |
unity of mood |
the baroque principle of…..may be temporarily suspended in vocal music when drastic changes of emotion in a text inspires corresponding changes in the music |
unity of mood |
the compelling drive and energy in baroque muic are usually provided by |
continuity of rhythm |
baroque melodie often are |
repeated and elaborately ornamental |
baroque melodies give the impression of |
dynamic expansion rather than balance and symmetry |
melodic sequence refers to |
successive repetition of a musical idea at higher or lower pitches |
a characteristic often found in baroque melodies is |
short opening phrase followed by a longer phrase with an unbroken flow of rapid notes |
terraced dynamics refers to |
sudden shifts between dynamics |
the main keyboard instruments of the baroque period were the organ and the |
harpsichord |
a popular keyboard instrument in which sound was produced by means of brass blades striking the strings was the |
clavichord |
the most characteristic feature of baroque music is its use of |
basso continuo |
the orchestra evolved during the baroque period into a performing group based on instruments of the….family |
violin |
the word movement in music normally refers to |
a piece that sounds fairly complete and independant but is part of a larger composition |
a large court during the baroque period might employ about …..performers |
80 |
the music director of a baroque court was usually responsible for |
performances, composing (operas, church, dinner, and court music), discipline, instruments, and the music library |
frederick the great, king of prussia was a |
flutist, general, and composer |
the position of the composer during the baroque period was that of |
a high class servant |
in the baroque period, the ordinary citizen’s opportunities for hearing music usually came from the |
church service |
in italy, music schools were often connected with |
orphanages |
to get a job, a musician had to |
pass a difficult examination, perform and submit compositionns |
a concerto grosso most often has …movements |
3 |
the large group of players in a concerto grosso is known as the |
tutti |
the concerto grosso most often has three movements whose tempo marking are |
fast, slow, fast |
the first and last movements of a concerto grosso are often in….form |
ritornello |
the solo instruments in bach’s brandenburg concerto no. 5 are the ……, violin, and harpsichord |
flute |
bach’s brandenburg concerto no. 5 iis unusual in that |
a harpsichord has a solo role in a concerto grosso |
a musical ornament consisting of the rapid alternation of two tones that are a whole of half step apart is a |
trill |
a polyphonic composition based on one main theme is the |
fugue |
the main theme of a fugue is called the |
subject |
when the subject of a fugue is presented in the dominant scale, it is called the |
answer |
in many fugues, the subject in one voice is constantly accompanied in another voice by a different melodic idea called a |
counntersubject |
transitional sections of a fugue that offer either new material or fragments of the subject or countersubject are called |
episodes |
……….is a musical prodecure in which a fugue subject is imitated before it is completed |
stretto |
a……………..is a single tone, usually in the bass, that is held while the other voices produce a series of changing harmonies against it |
pedal point |
turning the subject of a fugue upside down, or reversing the direction of each interval, is called |
inversion |
presentinng the subject of a fugue from right to left, or beginning with the last and proceeding bckward too the first note, is called |
retrograde |
presenting the subject of a fugue in lengthened time values is called |
augmentation |
presenting the subject of a fugue in shortened time values is called |
diminution |
very often an independent fugue is introduced by a short piece called a |
prelude |
Baroque 1
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