Among other causes, why did secular music become more important than sacred music in the fourteenth century? |
All answers are correct |
Why does Renaissance music sound fuller than medieval music? |
All answers are correct. |
Josquin Desprez was a contemporary of ______. |
Christopher Columbus |
A versatile plucked string instrument with a body shaped like half a pear, popular during the Renaissance, was the ______. |
lute |
Terpsichore, a collection of over 300 dance tunes, was arranged for instrumental ensemble by ______. |
Michael Praetorius |
The wandering minstrels, or jongleurs, of the Middle Ages ______. |
All answers are correct. |
The center of polyphonic music in Europe after 1150 was ______. |
Paris |
A famous French woman troubadour was ______. |
Beatriz, Countess of Dia |
The first large body of secular songs that survives in decipherable notation was composed ______. |
during the twelfth and thirteenth centuries |
A virtual monopoly on learning during the Middle Ages was held by _______. |
monks in monasteries |
Which of the following statements regarding the Renaissance is not true? |
Much of the instrumental music composed during the Renaissance was intended for church use. |
What did Beatriz, Countess of Dia, compose? |
A chantar |
The _________ was the most popular instrument in the Renaissance home. |
lute |
The word Alleluia _______. |
All answers are correct. |
What is the Renaissance motet? |
A polyphonic choral work set to a sacred Latin text other than the ordinary of the mass |
Guillaume de Machaut was a ______________ as well as a musician. |
poet |
The notation of troubadour and trouvère melodies does not indicate ______. |
rhythm |
The lute song was widely cultivated in England from ______. |
the late 1590s to the 1620s |
An estampie is a medieval ______. |
dance |
A new system of music notation that allowed composers to specify almost any rhythmical pattern had evolved by the ______. |
early fourteenth century |
The texture of Renaissance music is chiefly ______. |
polyphonic |
Pope Gregory the Great _________. |
reorganized the Catholic church liturgy during his reign from 590 to 604 |
During the Middle Ages, what institution was the center of musical life? |
The church |
The use of organs in church _______. |
bothered the clergy because they distracted the listeners from worship |
The first steps in a revolution that eventually transformed western music began sometime between 700 and 900 with the ______. |
addition of a second melodic line to Gregorian chant |
Which of the following statements is not true of humanism? |
The humanists were basically atheistic in their beliefs. |
The earliest extant liturgical morality play, Ordo virtutum (Play of the Virtues), was composed by ______. |
Hildegard of Bingen |
During the Renaissance, every educated person was expected to ______. |
All answers are correct |
Which of the following statements is not true of the Renaissance? |
The Catholic church was even more powerful in the Renaissance than during the Middle Ages. |
The leading music center in sixteenth-century Europe was ______. |
Italy |
Which of the following statements is not true? |
Medieval music theorists favored the use of triads, the basic consonant chords of music. |
During the late Middle Ages, the church believed that instrumental music during religious services should be ______. |
used only as a discreet accompaniment |
The church frowned on instruments because of their ______. |
earlier role in pagan rites |
Gregorian chant _______. |
All answers are correct. |
Which of the following is not a part of the mass ordinary? |
Ave Maria |
What is the passamezzo? |
A stately dance in duple meter similar to the pavane |
To what does a cappella refer? |
Unaccompanied choral music |
The phrase Middle Ages refers to the period of European history spanning ______. |
450-1450 |
What is the Renaissance madrigal? |
A piece for several solo voices set to a short poem, usually about love |
Thomas Weelkes’s As Vesta Was Descending is notable for its _______. |
word painting |
One of the major characteristics of ars nova music is its use of _______. |
syncopation |
Gregorian chant consists of _______. |
melody sung without accompaniment |
Which of the following composers is not an important madrigalist? |
Josquin Desprez |
Much of the instrumental music composed during the Renaissance was intended for ______. |
dancing |
Which of the following describes a difference between English and Italian madrigals? |
A lighter and more humorous tone |
The form of the chant Alleluia: Vidimus stellam is ______. |
ABA |
A(n) _____ can be defined as two simultaneous, repeated notes at the interval of a fifth, played on a psaltery (a plucked or struck string instrument). |
drone |
Why are Leonin and Perotin notable? |
All answers are correct. |
An attempt was made to purify Catholic church music as a result of the ______. |
deliberations of the Council of Trent |
Giovanni Pierluigi da Palestrina’s ______. |
music includes 104 masses and some 450 other sacred works |
The first steps toward the development of polyphony were taken sometime between 700 and 900, when ______. |
monks in monastery choirs began to add a second melodic line to Gregorian chant |
The term ars nova refers to ______. |
Italian and French music of the fourteenth century |
Which statement is true about Palestrina’s Pope Marcellus Mass? |
All answers are correct. |
Which of the following statements is not true? |
Josquin spent most of his life in the province of Hainaut, today a part of Belgium. |
The intellectual movement called humanism ______. |
focused on human life and its accomplishments |
Why are Renaissance melodies usually easy to sing? |
The melody often moves along a scale with few large leaps. |
Bernard of Clairvaux ordered his monks to sing _______. |
vigorously with manliness |
Many prominent Renaissance composers, who held important posts all over Europe, came from what was then ______. |
Flanders |
We know from paintings and literary descriptions of the Middle Ages that _______. |
instruments were used |
Who was Hildegard of Bingen? |
All answers are correct. |
What is the galliard? |
A lively dance in triple meter |
Medieval music that consists of Gregorian chant and one or more additional melodic lines is called ______. |
organum |
The Renaissance in music occurred between ______. |
The Renaissance in music occurred between ______. |
Gregorian chant ________. |
is monophonic in texture |
Why did the Council of Trent attack the church music of the Renaissance? |
It used secular tunes, noisy instruments, and theatrical singing. |
Most medieval music was _______. |
vocal |
Lute songs are mostly __________ in texture. |
Homophonic |
The medieval jongleurs, important sources of information in a time when there were no newspapers, were ______. |
on the lowest social level |
The expression of ________, as heard in John Dowland’s Flow My Tears, was a prominent feature of English literature and music in the time of William Shakespeare. |
melancholy |
Guillaume de Machaut’s compositions consist mainly of ______. |
love songs with instrumental accompaniment |
The development of the English madrigal can be traced to 1588 and considered a result of ______. |
the publication in London of a volume of translated Italian madrigals |
In the Middle Ages, most important musicians were _______. |
priests |
Which of the following statements is not true of Renaissance music? |
Instrumental music became more important than vocal music during the Renaissance. |
Church officials expected monks to sing _______. |
with proper pronunciation and tone quality |
Palestrina’s career centered in ______. |
Rome |
As a young student in Paris, Henri de Malines sang ______. |
monophonic songs in various languages |
What we know about instruments in church comes mainly from _______. |
the pictures and literary descriptions of the day |
Which of the following is not true of Gregorian chant? |
It is usually polyphonic in texture. |
How do Gregorian chant melodies tend to move? |
Stepwise within a narrow range of pitches |
The music the medieval monks sang was called _______. |
Gregorian chant |
One function of secular music in the late Middle Ages was to provide accompaniment for ______. |
dancing |
The earliest surviving chant manuscripts date from about the _______ century. |
ninth |
Which of the following is not one of the five sections of the Renaissance mass? |
Alleluia |
The Renaissance madrigal began around 1520 in ______. |
Italy |
Secular music in the fourteenth century _______. |
All answers are correct. |
The movement in which the Catholic church sought to correct abuses and malpractices within its structure is known as ______. |
the Counter-Reformation |
Gregorian chant is named after Pope Gregory I, who ______. |
was credited by medieval legend with having created it |
In the recording of the medieval estampie, the melody is played on a rebec, a ______. |
bowed string instrument |
The highlight of the day for monks and nuns was ______. |
the mass |
A leading English composer of lute songs was ______. |
John Dowland |
The Renaissance may be described as an age of ______. |
All answers are correct. |
An outstanding composer of the ars nova was ______. |
Guillaume de Machaut |
In most lute songs, the lute accompaniment _______. |
is subordinate to the voice |
John Dowland’s Flow My Tears consists of _______ musical sections that are each immediately repeated. |
three |
Josquin Desprez spent much of his life in ______. |
Italy |
Why is Gregorian chant seldom heard today? |
The Second Vatican Council of 1962 to 1965 decreed services be in the native language of each country. |
William IX, Duke of Aquitaine, Prince Jaufre Rudel, Bernart de Ventadorn and Guillaume le Vinier were all famous ______. |
troubadours |
The earliest known composers to write music with measured rhythm were ______. |
Leonin and Perotin |
Which of the following statements is not true of the medieval estampie? |
It was intended for religious services. |
Church authorities in the Middle Ages ____________________ their religious services. |
wanted music only as a discreet accompaniment to |
MUSIC APPRECIATION- The Middle Ages and the Renaissance
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