An emphasis on balance and clarity of structures may be found in which period of music? |
classical |
One way in which music from the classical era differs from the Baroque is that |
there is a fluctuation in mood |
Classical melodies sound balanced because |
they are made up of two phrases of the same length |
The piano began to be widely used by |
1775 |
In the classical orchestra, which section was considered the most important? |
strings |
A classical form written in 2-4 movements for one or two instruments is called |
a sonata |
Joseph Haydn was content to spend most of his life |
serving a wealthy aristocratic family |
In the classical period, comic opera sometimes |
ridiculed the aristocracy |
Haydn’s contract of employment shows that he was considered |
a skilled servant |
Social mobility during the classical period was |
an important factor in the rise of the middle class |
Vienna in 1800 |
was the fourth-largest city in Europe, had a population of almost 250,000, and was the seat of the Holy Roman Empire |
In Vienna, Haydn and Mozart |
became close friends |
In the classical period, serious composition was flavored by |
folk and popular music |
The prospering middle class in the classical period sought aristocratic luxuries such as |
theater, literature, and music |
The Concert des Amateurs, an organization in Paris devoted to presenting public concerts, was conducted in the 1770’s by |
the Chevalier de Saint-Georges |
Sonata form should be viewed as |
a set of principles that serve to shape and unify contrasts of theme and key |
In the exposition of a sonata-form movement |
the second theme is in a new key |
Sonata form is used frequently as the form for the ____ movement of a multi-movement work |
first, slow, and final fast |
In the recapitulation of a sonata-form movement |
all the principal material is in the tonic key |
At the end of a classical exposition there usually is a |
repeat sign |
Theme-and-variations form may be schematically outlined as |
AA’A”A”’A”” |
Each successive variation in a theme with variations |
retains some elements of the theme |
The ____ movement of Haydn’s Surprise Symphony is in theme-and-variations form |
second |
The minuet is generally the ____ movement of a classical symphony |
third |
The minuet as a whole may be outlined as |
ABA |
In many of Beethoven’s works, there is a ____ movement instead of the minuet |
scherzo |
The minuet first appeared around 1650 as a(n) |
dance at the court of Louis XIV of France |
The character of the minuet is best described as |
stately and dignified |
The scherzo differs from the minuet in that it |
moves more quickly |
As is typical in classical music, the double bass part in Mozart’s Eine kleine Nachtmusik |
sounds an octave lower than the cello part |
Because of its character, the rondo most often serves as a |
finale |
A common rondo pattern is |
ABACA |
The main theme of the rondo |
is usually in the tonic key |
Another common rondo pattern is |
ABACABA |
The rondo was used |
as late as the twentieth century |
Symphony may be defined as a(n) |
musical composition for orchestra, usually in four movements, sonata for orchestra, and extended, ambitious composition exploiting the expanded range of tone color and dynamics |
The usual order of movements in a classical symphony is |
fast, slow, dance-related, fast |
The first movement of a classical symphony is almost always fast, and in |
sonata |
ABA form is typical of the minuet or scherzo movement and is also common in the |
slow movement |
A symphony is unified partly by the use of the same |
key in three of its movements |
A classical concerto is a three-movement work for |
instrumental soloist and orchestra |
An unaccompanied showpiece for the concerto’s soloist is known as a |
cadenza |
The symphonic movement usually lacking in the concerto is the |
minuet or scherzo |
The favored solo instrument in the classical concerto was the |
piano |
A pause in the score of a concerto is indicated by a |
fermata |
The first movement of a classical concerto |
has two expositions |
Classical chamber music is designed |
for the intimate setting of a small room |
The classical string quartet is a musical composition for |
two violins, viola, and cello |
The most important form in classical chamber music is the |
string quartet |
The piano trio is a musical composition for |
violin, cello, and piano |
The usual order of movements in a classical string quartet is |
fast, slow, minuet or scherzo, fast |
A major factor that distinguishes chamber music from the symphony or concerto is that chamber music |
is performed by one player per part |
Along with his symphonies, Haydn’s _______ are considered his most important works |
string quartets |
Haydn’s duties while in the service of the Esterhazys included |
composing all the music requested by his patron, conducting the orchestra of about twenty-five players, and coaching the singers for operatic performances |
Which of the following is not a characteristic of Haydn’s music? |
There are few changes in texture and orchestration |
Haydn’s Trumpet Concerto in E Flat Major is performed today by the |
valve trumpet |
By the age of six, Mozart could |
play the harpsichord and violin, improvise fugues and write minuets, and read music perfectly sight |
Don Giovanni, in Mozart’s opera of that name, is |
the legendary Spanish lover |
Mozart’s Requiem was |
finished by one of his pupils after Mozart’s death |
Between the ages of six and fifteen, Mozart |
was continually on tour in England and Europe |
Mozart’s Symphony No. 40 |
is in G minor |
Mozart’s finest German opera was |
The Magic Flute |
Mozart was born in |
Salzburg, Austria |
Which of the following is not one of Mozart’s three masterpieces of Italian opera? |
Orfeo |
Which of the following statements is no true about the late eighteenth-century fortepiano? |
It weighed the same as the modern piano |
Beethoven’s greatest liturgical music is to be found in his |
Missa Solemnis |
Beethoven’s late works, composed after he was totally deaf, include |
piano sonatas, string quartets, and the Ninth Symphony |
Beethoven greatly expanded the ______ section of the sonata-form movement and made it more dramatic |
development |
The choral finale of Beethoven’s Ninth Symphony is based on |
Schiller’s Ode to Joy |
Beethoven’s sixteenth _____ are generally considered among the greatest music ever composed |
string quartets |
One of the most famous rhythmic ideas in music is the short-short-long motive found in Beethoven’s |
5th Symphony |
First section of a sonata-form movement, which sets up a strong conflict between the tonic key and the new key; and between the first theme (or group of themes) and the second theme (or group of themes). |
exposition |
In the exposition of the sonata form, a section which leads from the first theme in the tonic, or home, key to the second theme, which is in a new key |
bridge (transition) |
Second section of a sonata-form movement, in which themes from the exposition are developed and the music moves through several different keys |
development |
Fragment of a theme,or short musical idea that is developed within a composition |
motive |
Third section of a sonata-form movement, in which the first theme, bride, second theme, and concluding section are presented more or less as they were in the exposition, with one crucial difference: all the principal material is now in the tonic key |
recapitulation |
In a sonata-form movement, a concluding section following the recapitulation and rounding off the movement by repeating themes or developing them further |
coda |
Melodic idea that accompanies a main theme |
countermelody |
From the beginning; an indication usually meaning that the opening section of a piece is to be repeated after the middle section |
da capo |
Unaccompanied section of virtuoso display for the soloist in a concerto, usually appearing near the end of the first movement and sometimes in the last movement |
cadenza |
In the classical period, there was no ______ except during the recitative in opera |
harpsichord |
The orchestra only used trombones in _____ and _____ music |
opera, church |
The most important composers of the Borococo was: |
Mozart & Haydn |
In the opera, Marriage of Figaro, why did Figaro looked shorter than normal? |
Cherubino jumped out the window and the gardener saw him. Figaro pretended to be the one who jumped out the window. |
In the opera, Marriage of Figaro, who was hiding in the closet with Sussan? |
Cherubino |
The first movement of a symphony is in what form? |
Sonata form |
The second movement of a symphony is in what form? |
Variation form |
The third movement of a symphony is in what form? |
Minuet form |
The fourth movement of a symphony is in what form? |
Rondo form |
The symphony has ____ movements |
4 |
The _______ became the most important type of piece |
symphony |
In the recapitulation, this is when the key has not changed: |
the bridge is "broken" |
Mozart was most influenced by |
Bach |
The second movement = |
slow |
The fourth movement = |
string quartet |
The third movement = |
minuet & trio |
The symphony has ____ themes |
2 |
The first key is in the |
tonic key |
The exposition |
repeats |
A piece for a solo instrument and orchestra |
Concerto form |
The concerto form is divided into __ movements: ___, ___, ___ |
3, fast, slow, fast |
An end to an idea |
Cadenza |
Beethoven’s ____ symphony was the most famous, and it was the first symphony to use a _____ |
9th, choir |
The Requiem in D minor kerkel’s number is: |
K626 |
Catalog number: |
kerkel |
He invented/made the string quartet |
Hadyn |
Who wrote the 1st trumpet concerto? |
Hadyn |
Beethoven’s music was all about |
emotion |
A dance, usually in triple meter, less refined than a minuet, and faster than a minuet |
scherzo |
First symphony to take a theme from the first movement and put/move it to another movement |
Beethoven’s symphony No. 5 |
What movement in the concerto form is slow? |
second movement |
What does the concerto form have that the sonata form doesn’t? |
a cadenza |
Why was some of Mozart’s pieces have Baroque style in it? |
Mozart studied the work of Bach |
Free interchange has instrument parts unfold |
classical |
When do you hear the first movement in Mozart’s first theme? |
in the first movement |
What does Cherubino lose and Figaro finds it? |
a commission letter |
What was the name of Beethoven’s mass? |
Missa Solemnis |
First section of the sonata form: |
exposition |
Second section of the sonata form: |
development |
Third section of the sonata form: |
recapitulation |
There are 3 sections of the sonata form; they are: |
exposition, development, recapitulation |
Music Appreciation Pt. 5
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