by not following a question/ question/ answer pattern |
how does Jackie Brenston’s "Rocket 88" break with standard blues practices? |
Piano |
Which of following instruments can be used along with or in place of rhythm guitar? |
horns |
Which instruments are often added to tracks to provide an additional "punch" to music? |
three groups of four phrases |
The 12-bar blues form consists of |
series of four chords |
The doo-wop progression consists of a |
re-creating a live recording as faithfully as possible |
using the recording stufio as an "audio snapshot" involves |
contrasting verse-chorus |
the form of "smoke on the water" by deep purple |
create melodic interest |
in addition to conveying the lyrics of a song the lead singer’s role is to |
act as bridge between harmonic and rhythmic sections |
the job of the bass player is to |
reverb |
sound engineer might artificially create a room sound through electric means by using effect of |
mono |
during first decade of rock’s inception, most of music was recorded in |
contrasting verse-chorus |
buddy holly’s "That’ll be the day" is example of |
echo |
two sonic images of same event |
reverb |
creates room sound through electronic means |
timbre |
tone color of an instrument |
EQ |
adjusting timbre of each recorded sound |
sonic landscape |
"space" between stereo speakers |
mixing board |
controls EQ, ambience/volume, stereo placement |
monophonic sound |
one speaker for playback |
octave |
lower or higher version of same note |
track |
term used in recording to designate a recorded part |
chords |
combinations of notes played together |
true |
Before Elvis signed a major record deal, major labels were not interested in rock and roll |
open prairie and cowboys |
Western music is most often associated with the |
a family audience |
in the early 1950s, mainstream pop was produced primarily for |
false |
Elvis is best thought of as a master songwriter who wrote in a variety of pop genre |
True |
After World War II, most of the new rhythm and blues record labels that emerged were independent labels |
a song or record appearing on multiple music charts |
a crossover song is |
lyrics changed to dance references instead of sexual innuendos |
The "whitening" of rhythm and blues was marked by: |
Sam Phillips |
Who started Sun Records in Memphis? |
did not write his own songs but chose which material he would record |
Elvis is often thought of as a song stylist because he |
Mercury Records |
All of the following were independent labels in the late 1940s and early 1950s EXCEPT |
audiences for popular music shifted from radio to television |
One reason why many radio stations opted for a local or regional approach in the 1950s was |
stereotype of sexually driven black men who view white women as conquests |
Stagger Lee Myth is |
True |
Before 1945, it was considered unethical to play records on the air |
True |
Most of rock’s originators and many of the independent labels they worked for were out of the music business by 1960 |
False |
Along with Buddy Holly, Ritchie Valens and Little Richard were killed in the same plane crash |
True |
White artists covering Little Richard’s music left out much of the sexual innuendos in his lyric |
in Church |
Most rhythm and blues performers learned to sing |
Sheet music sales |
Which of the following was the principal business mode of success for Tin Pan Alley? |
pitch songs to artists who might consider performing them |
The role of the Tin Pan Alley publisher was to |
yodel |
Jimmie Rodgers’s performance style was noted for his trademark |
indie record labels |
The emergence of rock and roll in the 1950s can be attributed to the relationship between DJs and |
the nonsense syllables singers would use in song arrangements |
The term "doo-wop" refers to |
True |
"Country" music is a regional style that is associated with the southeast and Appalachia |
Hillbilly |
The country and western chart was originally called |
False |
In the early 1950s, mainstream pop was designed to appeal to white and black middle-class audiences |
Buddy Holly |
"That’ll Be the Day" was the first hit for |
blended gospel, blues, and big band pop sounds |
songs released by Atlantic Records often |
creating business friendships with disc jockeys by offering gifts |
The practice of payola involved |
songs recorded and performed by country artists |
What did the Acuff-Rose publishing firm rely on for sales of its music? |
32-bar sectional chorus |
standard format for Tin Pan Alley songs |
The Singing Brakeman |
nickname for Jimmie Rodgers |
rural blues musician |
Robert Johnson |
Glenn Miller |
instrumentalist during the big band era |
Frank Sinatra |
paved the way for future pop singers |
"How Much Is That Doggie in the Window?" |
an inoffensive example of early 1950s pop |
Nashville |
geographic center for country and western music |
"Sh-Boom" |
example of "doo-wop" |
Ruth Brown |
singer of "Mama, He Treats Your Daughter Mean" |
Jerry Leiber and Mike Stoller |
songwriters of "hound dog" |
true |
Until 1955, the music business was segregated into pop, rhythm and blues, and country and western |
Bill Monroe and His Blue Grass Boys |
The development of bluegrass can be primarily traced to |
Blackboard jungle |
Which 1950s movie featured Bill Haley’s "(We’re Gonna) Rock around the Clock"? |
NBC radio broadcasting coast-to-coast with a national radio network |
Regional boundaries in popular culture began to diminish in the 1920s as a result of |
"heartbreak hotel" |
Elvis’s first single for RCA was |
country and western |
The intermingling of soldiers from all regions of the United States helped spread the popularity of |
the crossover potential for the original artists |
he success of crossover artists significantly reduced |
True |
One of the key components of folk music that attracted many listeners was its populist character. |
True |
Almost no aspect of pop music during the early 1960s was completely immune from the influence of Brill Building practices |
Pete Seeger |
Which folksinger was a member of the Weavers? |
Brian Wilson’s production and writing |
An important component of the Beach Boys’ success was |
teenagers dancing to pop music |
The focus of American Bandstand was |
the Ronettes |
"Be My Baby" was a hit for |
The drifters |
All of the following are examples of girl groups EXCEPT: |
true |
"Bubblegum music" is a term used to describe the music that emerged from teen idols in the late 1950s |
accusations of Communism |
In the early 1950s, many folk musicians ran into problems due to |
sweet souls |
Musical influences on the Beach Boys include all of the following EXCEPT |
his trademark fast tremolos on the guitar |
Dick Dale was known for |
History of Rock Music
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