Percussion instruments came into prominence in modern music. |
True |
The arrangement of tones in twelve-tone music is called: |
a tone row. |
Of the following, which describes orchestration in twentieth-century music? |
The string section lost its role as the heart of the orchestra. |
The element of melody in twentieth-century music is best characterized by: |
wide leaps and dissonant intervals. |
The complexity of rhythm in modern Western music far exceeds that in Asian and African music. |
False |
Composers of modern music enlivened their music with the rhythms of popular music. |
True |
The emancipation of dissonance refers to freeing: |
harmony from the necessity of moving from tension to rest. |
The arrangement of the pitches of a tone row in reverse order is called: |
retrograde |
The element of melody in early-twentieth-century music is characterized by wide leaps and dissonant intervals. |
True |
The element of rhythm in twentieth-century music is best characterized as: |
disregarding the basic metrical patterns of the past. |
The element that most decisively separated twentieth-century music from that of the past was: |
harmony |
Polychords may have six to seven notes but still sound consonant. |
False |
The emphasis on rhythm brought the ____________ section of the orchestra into greater prominence. |
percussion |
Composers introduced new harmonic styles in the twentieth century, including: |
all of the above |
Of the following, which describes formalism? |
Formal considerations are valued over expressive ones. |
The composer most closely associated with twelve-tone music is: |
Schoenberg |
Dodecaphonic music is based on a series of ten notes. |
False |
ch. 35 intro. to music
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