A virtuosic solo passage in the manner of an improvisation within a concerto is called a |
cadenza |
During the solo exposition in first-movement concerto form, the soloist |
All possible answers. |
Which of the following is NOT found in the first-movement concerto form of the Classical era? |
minuet |
First-movement concerto form is based on principles from the Baroque ritornello and the Classical sonata-allegro form. |
True |
First-movement concerto form is similar to sonata-allegro form, but it usually has a |
double exposition. |
For whom did Mozart write his Piano Concerto in G Major, K. 453 to perform as soloist? |
Babette von Ployer |
How many movements does a typical Classical-era concerto have? |
three |
How many piano concertos did Mozart compose? |
twenty-seven |
In a Classical-era concerto, the _________ display of the soloist is balanced by the collaborative efforts of the orchestra. |
virtuosic |
In a cadenza during a concerto from the Classical period, the orchestra improvises freely. |
False |
In the Classical-era concerto, the cadenza usually appears _______ of a movement. |
near the end |
The Classical concerto form has ______ movements. |
three |
Mozart played a crucial role in the development of the piano concerto. |
True |
Mozart wrote many of his piano concertos to showcase his own performance skills. |
True |
Mozart wrote most of his piano concertos for ______ to perform in public. |
himself |
The Baroque concerto could be written for a solo group or a solo instrument and orchestra, however Classical-era concertos were typically only written for a solo group and orchestra. |
False |
The cadenza that is typically performed today in Mozart’s Piano Concerto in G Major, K. 453 is |
the cadenza written by Mozart. |
The concerto was a new genre of the Classical era. |
False |
The first movement of Mozart’s Piano Concerto, K. 453 is in______ form. |
first-movement concerto |
Which is NOT true of Mozart’s Piano Concerto, K. 453? |
It was written for, and dedicated to, Haydn. |
Which is true regarding key areas in first-movement concerto form? |
the solo exposition modulates to a contrasting key |
Which of the following describes first-movement concerto form? |
sonata-allegro with a double exposition |
Which of the following multimovement tempo schemes corresponds to the typical Classical concerto? |
fast-slow-fast |
Which statement applies to the Classical-era concerto? |
The fast-slow-fast pattern of the three movements was established by Vivaldi during the Baroque era. |
Which statement describes the mood and tempo of the first movement of Mozart’s Piano Concerto in G major, K. 453? |
graceful melodies, played Allegro |
ch 32 quiz
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