An artwork can fit into only one of the following categories: performance art, conceptual art, installation art. |
false |
An artwork that consists of cutting off someone’s tie and pouring shampoo on his head would best be described as ________. |
performance art |
Andy Warhol used commercial processes to create many of his works because ________. |
he wanted his work to have a depersonalized and mass-produced quality |
As an artist, Marina Abramovic is known for her ________. |
d. extreme performance pieces |
Barbara Kruger’s Untitled (Your Gaze Hits the Side of My Face): |
a. employs her background as a graphic designer in its use of text and image |
Conceptual art emphasizes ________. |
the ideas behind the artwork over its realization |
Donald Judd ordered the boxes for his "Untitled" artwork, made in 1967, from a factory. |
true |
Donald Judd’s Untitled (1967) is part of which |
minimalism |
Jackson Pollock is known for: |
c. splashing, pouring, and dripping paint onto a canvas as he walked around it on the floor |
Jackson Pollock made paintings by: |
dripping paint onto a canvas on the floor |
Jackson Pollock’s Number 1A is ________. |
so large that it dominates the viewer’s field of vision |
Kasimir Malevich was part of which movement? |
Suprematism |
Marcel Duchamp’s Fountain is an example of ________. |
readymade |
Marcel Duchamp’s Nude Descending a Staircase, No. 2 was ________ the Armory Show in 1913. |
seen as scandalous by viewers at |
Marcel Duchamp’s Nude Descending a Staircase, No. 2 was shocking because of the nudity it contained. |
false |
Marina Abramovic’s The Artist Is Present took ________ to complete. |
3 months |
Mark Rothko wanted his paintings at the Rothko |
to create an environment that transported the viewer beyond everyday reality |
artworks that track the movements and gestures the artist makes during their production |
action painting |
a general tendency, as well as an art movement originating in the 1960s, that emphasizes the ideas behind an artwork over any material production to represent those ideas |
conceptual art |
artworks that transform the surrounding space in order to become environmental artworks, construction of an intentional environment as a completed artwork. |
installation |
art so large it cannot be displayed in commercial galleries, difficult or impossible to sell or to see, uniting art with life, sculpture with nature. |
earthwork |
Pop Art aimed to undermine the "high art" tendency to value only works that were "original" and "unique." |
true |
Roy Lichtenstein challenged traditional notions of the subject matter and appearance of fine art painting by embracing everyday subjects. |
true |
The artist of Unique Forms of Continuity in Space ________ the art movements and traditions of the past. |
wanted to leave behind |
The formal element that Mark Rothko focused on |
color |
The medium of Kazimir Malevich’s Suprematist Painting: White on White is: |
oil on canvas |
The medium of Umberto Boccioni’s Unique Forms of Continuity in Space is ________. |
bronze |
art chapter 24
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