Art can forge racial identity and preserve the history and values of a(n) ____ group. |
ethnic |
In Las Meninas, Velazquez places Infanta Margarita at the center of the painting and surrounds her with dwarfs, chaperones, and ladies in waiting to reveal her ____. |
frivolity( lightheartedness) |
Marc Chagall’s works reflected his heritage, which was ____. |
Jewish |
Marc Chagall painted in bright colors, like the ____. |
Fauves |
The photographs of James VanDerZee reflect the ____ |
Black Renaissance of Harlem |
Aunt Jemima is considered a ____ |
caricature |
Betye Saar’s The Liberation of Aunt Jemima is a ____ piece |
mixed media |
In The Artifact Piece, Native American artist James Luna challenged the way contemporary American culture and museums have presented his race as essentially____. |
extinct and vanished |
Shaughnessy’s Interior House Post both physically supports the Raven House and symbolically represents the ____ of the John Scow clan |
spiritual and mythical foundation |
Painting from a Cult House done by the Tambaran cult of New Guinea ____ the cult teachings through a narrative |
does not illustrate |
Peter Paul Rubens’ Abduction of the Daughters of Leucippus revealed that the women of that time were expected to be ____ |
helpless |
Jacques-Louis David’s The Oath of the Horatii revealed that heroic actions were ____. |
a mark of masculinity |
Artists such as Jacques-Lois David not only reflected the "reality" of gender roles, they ____ such "reality." |
created |
French people saw Rococo architecture as ____ |
female |
The ancient Greeks viewed Doric architecture as ____ |
masculine |
Hung Liu examined the Chinese practice of ____ |
foot binding (paiting called trauma) |
The Guerrilla Girls are a group of artists that ____. |
worked towards redefining feminism and forcing the art world to be more inclusive of women; formed in 1987 |
Ancient Romans believed that their ancestry ____ |
was extremely important |
The Northwest Coastal people believed that the thunderbird represented a ____. |
a chief |
The painting Abduction of the Daughters of Leucippus by Peter Paul Rubens is an example of ____ as subject matter |
sexual erotica |
A ____ is a group of people joined by blood or marriage ties. |
clan |
Artists often illustrate social rank through dress, leisure activities, and ____. |
scale |
Kabuki theater was enjoyed by the ____ in Japanese society. |
townspeople |
The ____ art movement originated in Paris in the early twentieth century and emphasized exaggerated color in paintings for greater expression. |
Fauvism |
In his paintings, Marc Chagall sometimes used the ____ device of fracturing space to represent instability |
Cubist |
The title "____" was a commonly used term of subordination for African American female domestic servants, nannies, and maids |
Aunt |
Sepik men performed ____, called "Tambaran," which took place in large, decorated cult houses |
rituals |
Unlike the Western belief that an individual exists at birth, many South Pacific peoples believe that a person’s being is built through a lifetime of ____ |
ritual experiences |
The voluptuous, fleshy women of Peter Paul Ruben’s Abduction of the Daughters of Leucippus represent ____ body types for their time |
ideal |
Eighteenth-century Rococo architecture was seen as ____, with its emphasis on delicacy, curves, and colo |
feminine |
A revival of Greek and Roman aesthetics inspired a style called ____, which emphasized the use of classical elements in art and architecture. |
neoclassicism |
The subject matter of ukiyo-e prints were usually famous kabuki actors, beautiful young women, and ____. |
landscapes |
The ____is a collective of anonymous women artists and arts professionals protesting racial and gender discrimination in the art |
Guerilla Girls |
____ paintings are paintings of ordinary scenes from everyday life. |
Genre |
Because of restrictive laws emphasizing cultural separation, nineteenth-century Russian Jews were unable to pursue careers in the arts and found work primarily in the areas of business and manual labor. |
FALSE |
James VanDerZee was a commercial studio photographer whose work was strongly influenced by depictions of female stereotypes in films from the 1950s and 1960s. |
FALSE |
In The Kitchen Maid, Van Eyck portrays a humble working-class woman with great dignity. |
TRUE |
In Papua New Guinea, Sepik men saw their rituals as creating men from infants, usurping women’s procreative power. |
TRUE |
In Western culture, architecture is gendered — different styles are associated with certain qualities that are perceived to be masculine or feminine. |
TRUE |
When the Chinese Communist government came to power, women with bound feet were given government posts, reflecting their elevated social status. |
FALSE |
In the 1960s and 1970s, high-profile art exhibitions in prestigious American museums frequently included work by women artists. |
FALSE |
In ancient Egypt, the human body was sculpted in different ways depending on the class of the person. |
TRUE |
Art Appreciation Ch 12
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