Artwork in the twentieth and twenty-first centuries |
all of the previous answers |
The colors of the bodies and trees in Matisse’s Joy of Life are ________. |
based on what the artist saw |
In Matisse’s Joy of Life the artist is emphasizing ________. |
la leisurely day in a landscape with music |
Matisse made Icarus ________. |
near the end of his career, when he was confined to a wheel chair |
Les Demoiselles d’Avignon was revolutionary because: |
all of the other answers |
How does Georges Braque’s Houses at L’Estaque relate to the scene it represents? |
it is an abstraction based on nature |
Georges Braque’s Houses at L’Estaque is part of which movement? |
cubism |
Picasso’s Glass and Bottle of Suze contains an actual ________ in the composition. |
bottle label |
The technique used to make Glass and Bottle of Suze is ________. |
collage |
Expressionism focuses on: |
what is felt rather than what is seen |
Vasily Kandinsky, the artist of Improvisation #30 (Cannons), believed ________. |
art should express an inner spiritual necessity |
Ernst Ludwig Kirchner’s Street Berlin is part of the ________ movement as seen ________. |
expressionist…in the paintings |
The Dada performance of "Karawane" doesn’t make sense because ________. |
it was part of the movement that devalued logical thinking |
Marcel Duchamp’s Bicycle Wheel is an example of ________. |
a readymade |
What innovation in art was Marcel Duchamp not responsible for? |
photomontage |
John Heartfield’s Have No Fear, He’s a Vegetarian is an example of ________. |
photomontage |
John Heartfield, the artist of Have No Fear, He’s a Vegetarian, ________. |
had to flee germany to escape arrest and persecution |
A dreamlike environment is created in Giorgio De Chirico’s The Melancholy and Mystery of the Street by: |
all the other answers |
Which of the following statements best relates to Max Ernst’s Surrealism and Painting? |
it can be liberating when the imagination wanders in the mysterious realm of creativity |
The artist who created the 1936 assemblage entitled Object is ________. |
joan miro |
The collection of items in the 1936 assemblage entitled Object ________. |
it is untimely mysterious |
The artist of Unique Forms of Continuity in Space ________ the art movements and traditions of the past. |
wanted to leave behind |
Marcel Duchamp’s Nude Descending a Staircase, No. 2 was ________ the Armory Show in 1913. |
seen as scandalous by viewers at |
The medium of Kazimir Malevich’s Suprematist Painting (Eight Red Rectangles) is: |
oil on canvas |
Theo van Doesburg was a founder of which movement? |
De stijil |
Theo van Doesburg wanted to make artwork that appealed to ________. |
the mind |
How does Constantin Brancusi’s Bird in Space distill the vital qualities of a bird? |
by reminding us of bird or feather shapes to the soaring quality of flight |
What is the medium of Romare Bearden’s Three Folk Musicians? |
collage |
Romare Bearden, the artist of Three Folk Musicians, was particularly influenced by which of the following? |
cubism, african masks and the Harlem renaissance |
Jackson Pollock made paintings by: |
dipping paint onto a canvas on the floor |
The formal element that Mark Rothko focused on is ________. |
color |
In his Untitled (1949), Mark Rothko wanted to emphasize ________. |
a deep almost religious experience |
The technique used to make Andy Warhol’s Thirty Are Better Than One is ________. |
silkscreen |
Andy Warhol used commercial processes to create many of his works because ________. |
he wanted his work to have a depersonalized and mass produced quality |
The technique used by Roy Lichtenstein to show gradations in color in his Girl with Mirror was ________. |
borrowed from news paper printing and comics |
James Hampton’s The Throne of the Third Heaven of the Nations’ Millennium General Assembly was made using ________. |
found objects that the artist transformed |
Donald Judd’s Untitled (1967) is part of which movement? |
minimalism |
Dan Flavin’s Untitled (1996) builds on ________. |
Marcel Duchamps concept of readymades |
Conceptual art emphasizes ________. |
the ideas behind the artwork over its realization |
Joseph Kosuth’s One and Three Chairs consists of ________. |
three things that a chair could be |
Ana Mendieta uses ________ as an artistic medium in her work Imagen de Yagul. |
all of the previous answers |
Gerrit Rietveld’s Schröder House is an example of ________ architecture. |
modernist |
Designer Gerrit Rietveld preferred a limited color palette of ________. |
black white and primary colors |
Michael Graves’s Portland Public Services Building is an example of ________ architecture. |
post modernist |
Carrie Mae Weems integrates into her work references to: |
the collective african american experience that is rooted in slavery |
Jolene Rickard’s Corn Blue Room is an example of ________. |
installation art |
Shirin Neshat’s Rapture is a film that separates ________ onto different screens. |
men and women |
Matthew Barney explains that the complexity in his Cremaster series relates to ________. |
his own wandering interests |
The medium of Matthew Ritchie’s Proposition Player is ________. |
multi media installation |
Matthew Ritchie says that ________. |
abstraction and figuration can be combined in the same work |
In her Self-Portrait with Camellia, Paula Modersohn-Becker used ________. |
all of the other answers |
Twentieth-century artists continued the explorations in representation started by the Impressionists and Post-Impressionists. |
true |
Roy Lichtenstein challenged traditional notions of the subject matter and appearance of fine art painting by embracing everyday subjects. |
true |
The work of Minimalist artists is generally made out of natural materials with an organic quality. |
false |
The way that Jackson Pollock painted focused on the process of making art. |
true |
assemblage |
an art work made out of 3 d objects |
action painting |
a method of painting that uses the movement of the human body to apply paint onto a surface |
visionary art |
art by a self taught artist following a personal vision |
readymade |
an everyday object presented as a work of art |
installation |
a construction or arrangement of objects which has been conceived to orchestrate a space |
3.8
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