Art protesting a particular war was first seen____ |
about two hundred years ago |
Francisco Goya’s The Executions of May 3, 1808, sympathize with____ |
The Spaniards |
Both Kathe Kollwitz and George Grosz____ |
protested against wars |
Much of John Heartfield’s art protested against ____ |
Nazi Germany |
David Alfaro Siqueiros protested against the ____ |
Spanish Civil War |
Robert Motherwell believed that abstraction communicated best____ |
the struggle between life and death |
The Surrealists believed in automatism, which includes the idea of____ |
intuition |
Tomatsu Shomei’s photographs are of victims of ____ |
the atomic bomb |
Eugene Delacroix’s Liberty Leading the People is ____ in its portrayal of fighting as thrilling, dangerous, and |
Romantic |
Leon Golub’s Mercenaries I is particularly imposing because of its____ |
large size |
Lewis Hine’s photos of child laborers have long ____, which fully documented their youthfulness. |
titles |
Jacob Lawrence did a series of paintings describing the tribulations of____ |
african americans |
The Passion of Sacco and Vanzetti was done by____ |
Ben Shahn |
Jacob Lawrence’s artistic style was___ |
flat and simple |
William Kentridge created charcoal drawings and film animations reflecting the causes and injustices of ____ |
apartheid |
Edward Kienholz’s work is based on his experiences as ____ |
a mental hospital worker |
Ester Hernandez uses ____ to make her artistic protests. |
humor |
Yinka Shonibare’s Mr. and Mrs. Andrews without Their Heads is a parody of a work by____ |
Gainsborough |
Abrogio Lorenzetti’s Allegory of Good Government was____ |
a fresco |
The ____ Codex Borbonicus is a religious calendar that was made during the period of the Spanish conquest |
Aztec |
The Passion of Sacco and Vanzetti uses ____ as a protest strategy. |
narrative |
Osorio’s mixed-media ____ The Scene of the Crime (Whose Crime?) affirms the worth of Puerto Rican |
installation |
____ did a series of forty-one paintings on the life of Francois-Dominique Toussaint-L’Ouverture, a slave |
… |
In Jacob Lawrence’s tempera paintings, the use of space and color, as well as the bright patterns of handmade |
cubism |
The Aboriginal Memorial commemorates all the native peoples of Australia who died as a result of the ____. |
european settlement |
___ is an African American artist who creates life-size, cutout silhouette figures based on racist imagery of |
Kara Walker |
Ambrogio Lorenzetti’s Allegory of Good Government was painted when ____ was still a patchwork of city- |
italy |
In The Ambassadors, Hans Holbein the Younger portrays Jean de Dinteville and Georges de Selve as ____, indicated by the objects on the table between them, which reflect their interest in culture, arts, mathematics, |
Humanists |
The ____ is the normal, existing state of affairs, which appears natural or inevitable instead of constructed or |
status quo |
The nineteenth-century French artist ____ was known for his pointedly satirical, political cartoons |
Honore Daumier |
Robert Motherwell was influenced by the Surrealist concept of ____, which incorporates intuition, |
automatism |
most social protest works of art are designed to prescribe specific changes and actions |
false |
Robert Motherwell’s Elegy to the Spainish Republic was made in response to the influenza epidemic of 1918 |
false |
Edward Kienholz’s The State Hospital uses ugliness to criticize the way society deals with people it deems incompetent. |
true |
Tomatsu Shomei’s Senji Yamaguchi of Urakami is an example of documentary photography |
true |
Hatoum’s Light Sentence deals with personal identity, the body, surveillance, and control. |
true |
This painting was ____. |
painted six years after the event from sketches the artist made |
This work is an example of art as _____. |
glorifying war or social protest |
Art Appreciation Ch 10
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